For close to three decades now, Nevada’s desert landscape has been annually transformed into the phenomenon that has come to be known as Black Rock City, home to the Burning Man. While the essence of Burning Man is often mislabeled as a massive party with excessive drug use, it is best described as "pop up society." One, which after a years worth of work, dedication, and preparation is burnt down to the desert floor, leaving it just as it was before its temporary inhabitants arrived.

Regardless of the stereotypes about the “hippy subculture” that Burning Man has been built upon, the festival embodies a spirit of collective freedom that is seldom seen in our world today. It has evolved into a place of worship, innovation, radical self-reliance, and authentic freedom of expression; where anyone can reinvent themself  into whomever they want, without the stresses of acceptance and judgment from the “real world”.

Amongst the plethora of art installations, participatory campsites, and whatever else Black Rock City births, Michael Marantz, Founder / Director of Already Alive, was inspired by one in particular, “The Temple”. In his mind, the installation of The Temple, “explores modern spirituality in a contemplative and personal manner; touching on ideas of self-discovery, letting go and meaningful human connection that transcends a simple party in the desert.”

Marantz’ inspiration led him to contribute to Burning Man’s consistent theme of a “gift economy” by producing a short film about it. Fortunately, Michael was able to capture the film in a series of still images, allowing those unable to participate in the experience of Burning Man, to have a taste of what it is like to reside in the world of Black Rock City.