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The Environmental Cost of Entertainment

We often look forward to when we can slip from reality into the atmosphere provided by a movie, concert, or football game. But what is the real cost behind the $60 ticket?

As the COP25 summit comes to an inconclusive close and the number of scientific reports being released on the urgency behind climate change continue to increase, action is necessary or disaster is imminent. Some activities are more glaringly environmentally unfriendly. You know driving your car releases pollutants, you can even see it leaving your vehicle. But there is a whole industry built around letting us all escape, being entertained through sports, or movies and music, so we don’t have to think about our problems for a moment. Only these activities have a huge environmental cost.

 Hollywood is an obvious place to start. Movies not only cost millions of dollars to make but are extremely resource dependent. A study found that a single hour of television produced in the UK emits 13 metric tons of carbon dioxide. That is just carbon emissions, separate from food waste from catering, large energy uses on generators, resources used in building sets, and environmental degradation from filming in remote locations. For example, sets are often made out of lauan, a lightweight plywood that is harvested from rainforests. A UCLA study in 2006 found that a single sound stage results in the destruction of 4000 hectares of rainforest. In the US, over 1200 films and television series are produced in a single year. Solutions exist. Non-resources intensive options could be redistributing waste though donations, recycling, and composting. Reducing energy use or finding alternatives, minimizing transportation, and reusing wastewater. Even getting rid of plastic water bottles on film sets would decrease the environmental footprint.

 The music and sport industries do little better. Events that revolve around stadiums, world-class concerts, super bowls, even your average Saturday afternoon college football game, leave wakes of endless energy use, transportation fumes, and trash cans full of uneaten hotdogs and coke cans. A study done by Julie’s Bicycle found that 43% of the music industry’s environmental impact is from audience transportation to the venue. This is even more true at music festivals or sporting events that span multiple days or even weeks. Estimations say that average numbers for a well-attended music festival produce 212,000 pounds of waste per day, use upwards of 16,000 gallons of fuel just to power generators, and over 78,000 metric tons of CO2 emissions just in attendee travel (could be doubled if included staff, artist, vendors, engineering etc.).  For sports, the Olympics are a major environmental question. Not only do more than a half million people travel to one location from every corner over the world, cities take on major reconstruction projects for one event. In Rio, the 2016 Olympics emitted over 3.5 million tons of C02, not including the 7 years of construction, and had major issues with water pollution.

 Even entertainment in our own homes can have a negative environmental effect. Studies show that watching 30 minutes of Netflix is equivalent to driving almost 4 miles. That might not seem like a lot, but if you binge watch all of Harry Potter, that is almost 20 hours of screen time or 160 miles. Maybe on average you stream an hour of television every day that is almost 3000 miles in one year or the equivalent of driving all the way across the US. Spotify is not much better. Transmitting music to streaming sites is thought to generate between 200 to 350 million kilograms of greenhouse gases.  A large portion of Spotify’s carbon footprint comes from data centers, basically the energy that powers the internet. They have recently reduced their emissions by relocating servers to the Google Cloud which uses more renewable energy and buys carbon offsets. Even so, data centers as a whole account for 2 percent of the world’s greenhouse gas emissions.

 The entertainment industry is only growing. The increase in access to movies and music through streaming services has dramatically changed the culture surrounding live events. Let’s be conscious about how we choose to consume entertainment. 

DEVIN O’DONNELL’s interest in travel was cemented by a multi-month trip to East Africa when she was 19. Since then, she has continued to have immersive experiences on multiple continents. Devin has written for a start-up news site and graduated from the University of Michigan with a degree in Neuroscience.