Tashkent, the capital of Uzbekistan, boasts of its opulent infrastructure and the nation’s history to a world audience. 

Glistening skyscrapers are built over historic neighborhoods, while ancient mosques and some Soviet-era buildings are left unscathed. Tashkent, Uzbekistan, has been dramatically shape-shifted by the late president Islam Karimov and the current president Shavkat Mirziyoyev. As the city gets reconstructed, some of its rich history remains: Tashkent’s mosques, Soviet-style subway stations, classical opera houses and theaters, and traditional Russian architecture draw in many visitors. Here are seven sites which each represent distinct eras in Tashkent’s tumultuous history. 

1. Museum of Applied Arts

In the early 20th century, Russian aristocrat Alexander Polovtsov ordered that a mansion be made to showcase Uzbek architecture and craftsmanship. After Polovtsov’s death, the mansion was turned into a museum in 1937, where its interior was further remodeled. This structure’s interior is entirely covered in ornamentation, displaying key components of Islamic architectural design such as the “girih,” a pattern made up of many intricate lines, arabesque stucco, and zellij, a mosaic of individually crafted pieces which create a motif. At the center of its main room is a stunning muqarna, an inverted dome carved to an exacting honeycombed configuration; this centerpiece is embellished with flora-inspired stucco designs and individually painted tiles which resemble the stained-glass windows of a chapel. 

2. Hazrati Imam Complex

Larger-than-life mosques and mausoleums border a wide square where visitors stroll around in awe, either on a pilgrimage or simply admiring the grandiosity of the minarets and domes. The Hazrati Imam Complex is a conglomerate of historically significant monuments; its most notable sites are the Muyi Muborak Madrassa, the Barak Khan Madrassa and the Tillya Sheikh Mosque. Originally built in the 16th century as a tomb for one of the first imams of Tashkent, the complex drastically changed over the following centuries. Tillya Sheikh Mosque is a stately rectangular building with tall minarets topped with vibrant turquoise domes. The structure’s most notable features are its Central Asian architectural design, the panjara, which is a patterned lattice grid, and its geometrically carved pillars. The Muyi Muborak Madrassa (meaning “sacred hair”) is the most significant monument in this ensemble, since it is said to house the hair of the Prophet Muhammad and the oldest Quran, which dates back to 656 A.D. The library’s walls are mostly a neutral beige, but its arches and domes are covered in arabesques of colorful tiles. The Barak Khan Madrassa displays a stunning facade covered in floral motifs, Arabic calligraphy inscriptions, and geometric linework. At the madrassa’s center is an inverted dome with miniature arches and an open walkway into the building. 

3. The Palace of the Romanovs 

Although Tashkent is architecturally diverse, this oddly Baroque estate near its center looks alien in a city full of Soviet modernism and traditional Islamic architecture. Left behind by Grand Duke Nicholas Kostantinovich Romanov who was exiled from Russia for a scandalous love affair near the end of the 19th century, this palace embodies the international art nouveau. The building is predominantly monochromatic, as opposed to the vibrant color palette of traditional Islamic architecture. It flaunts a combination of its neoclassical base structure, extravagant gothic stucco work and Asiatic lattices. Bronze sculptures of deer and hounds sit precariously at the entrance of the mansion above a staircase to greet the visitors. The palace’s interior is more decadent: beds are covered in textiles with gold and silver thread weavings, valuable metal trinkets decorate its hallways, and Uzbek wood carvings adorn its walls. The Palace of the Romanovs reminds one of Russia’s pre-Soviet occupation of Uzbekistan, which used to be the colony of Turkestan. 

4.  Hotel Uzbekistan

Hotel Uzbekistan is flat, precise and mathematical. The building itself is a towering sheet of metal with no variation in pattern or shape. Standing as a remarkable display of Soviet modernism from the 1970s, this hotel is a relic of the Uzbek Soviet Socialist Republic. The typical brutalist architecture often paired with Soviet aesthetics is made flexible in this structure, as shown in its lattice pattern found in Islamic architecture.

 5.  The Alisher Navoi Opera House 

Romanesque pillars hold up this neoclassical beauty at the heart of Tashkent. At the front of this mainly Western-style theater is a remarkable fountain that stretches to the width of the building itself. Its distinctively European charm can be traced back to the classical architecture of czarist Russia. The Alisher Navoi Opera House was designed by Soviet architect Alexey Shchusev under Josef Stalin’s call to redesign Tashkent after World War II. Shchusev’s approach to building cultural institutions, including the famous Lenin’s Mausoleum, was to marry the decorative elements of Russian classicism with the structural integrity of Soviet brutalism. The space of the theater itself is adorned with arabesque etchings on its balconies and gold embellishments bordering the stage. Today, the Alisher Navoi Opera House remains a central playhouse for ballets, musical performances and plays. 

6. Minor Mosque

Minor Mosque is a fairly new religious center which opened in 2014 under Islam Karimov’s presidency. Although the mosque follows the traditional structure with its two minarets and its sky-blue dome, it is completely different in material. Instead of being made a typical brown-toned brick base, the mosque is a glaringly white marble, making it a sight to behold. Its facade is decorated with curling floral patterns and Quran passages. Minor Mosque is a feat of Uzbek architectural accomplishment after its independence. The new site seems to reaffirm the country’s Islamic roots, while boasting of its modernization.

 7. Tashkent Subway System

Tashkent’s subway system is full of mosaic art, chandeliers and echoes of Soviet attempts at excellence. First opened in 1977 at the height of the Cold War arms race, Tashkent subway stations doubled as nuclear bomb shelters. Much like the famously extravagant subway stations in Russia, Tashkent’s are built with the utmost acuity to detail and order. 

Uzbekistan’s ongoing efforts to reform its Soviet past and its recent history under Islam Karimov are clearly expressed in the tearing down of older structures. As the city’s historic mahallas are demolished for the construction of shopping malls, new buildings threaten Tashkent’s original residences. Each monumental building in Tashkent is telling of Uzbekistan’s past under Russian occupation, its Islamic influences, and its encounters with globalization. Tashkent is a melting pot of architectural forms, and in some ways, the noteworthy buildings are used as both markers for national identity and foreign allure.  

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Heather recently earned her B.A. in Literatures in English from University of California, San Diego. She was editor of the Arts and Culture section of The Triton, a student-run newspaper. She plans on working in art criticism, which combines her love of visual art with her passion for journalism.