While many can forget that Arab and North African Muslims controlled parts of Spain for almost 800 years, longstanding Spanish architecture is a testament to the Muslim reign. Arabesque patterns, Islamic motifs and sandy colors have been preserved in some of Andalusia’s most famous palaces and fortresses. 

Arab and North African Muslims conquered the Iberian Peninsula in the eighth  century. Ruling for almost 800 years in Al-Andalus (currently Andalusia), Muslims inevitably left traces of their presence in the region. Everything from language and religion to architecture and art was adopted by Spain during the Muslim reign. Around 4,000 Spanish words which are still in use today originated from Arabic. The majority of these words are nouns related to food, animals, nature and science. For example, the Spanish word for “olive” is “aceituna” and is derived from the Arabic word “zaytünah.”

While aspects of the Arabic language can be found in Spanish, Islamic architecture is the true evidence of the Arab and North African Muslim reign in Spain. Certain sites in modern-day Andalusia make you feel like you’re in Morocco or Syria. Today, Islamic architecture is most prevalent in Cordoba, Seville and Granada—Spanish cities in Andalusia—with their palaces and holy sites. 

 Cordoba 

Cordoba was the capital of Al-Andalus when it was first conquered in 711 A.D. The Great Mosque of Cordoba is a testament to the Arabic and Islamic influence in the city. Elaborate building programs and agricultural projects were sponsored by Prince Abd al-Rahman I from Damascus, Syria. The prince imported plants from Damascus, some of which still stand in the yard of the Mosque of Cordoba today. 

Previously operating as a mosque and church at different points in history, the captivating structure includes a hypostyle prayer hall, a beautiful courtyard with an extravagant fountain, a colorful orange grove, a walkway circling the courtyard and a minaret which is now a bell tower. Islamic calligraphy and verses from religious scriptures fill the sandy, red and white colored columns. Geometric shapes dominate the structure—in everything from design to entryways. One major Islamic motif that is evident in this structure is the horseshoe shaped “mihrab.” The mihrab identifies the wall that faces Mecca—Islam’s holiest city that features the home of God, the Kaa’ba—and indicates which direction to face while praying. The mihrab is decorated in gold and brown detailing. Above the mihrab sits a mesmerizing dome filled with pointed gold arches and radial patterns fill the ceiling. 

Seville 

The Royal Alcazar in Seville is one of the world’s oldest palaces that is still in use today. This palace has been awarded status as a UNESCO World Heritage Site. The Alcazar was first built in the 11th century when the Arabs moved in and sought to create a secure, residential fortress. Since then, Alcazar has been home to the many monarchs who have taken control of Seville. The initially Islamic structure was renovated by its following rulers; however, the palace’s Islamic roots shine through as many of its Islamic components have been preserved. 

One of the palace’s courtyards, the Patio del Yeso, was created in the 12th century when the region was still under Muslim control. The courtyard features a large pool in the middle—a common theme in Islamic architecture. Water is at the heart of Islamic architecture for both practical and spiritual reasons. Considering that the Arabs and North Africans came from dry climates and desert landscapes, it was important for them to have easy access to reliable sources of water. Furthermore, in Islam, water symbolizes life and purity. Water in gardens, specifically, symbolizes the sacred lake in paradise that is reserved for only the righteous. 

Other recurring Islamic motifs that are found in the Alcazar include keyhole or horseshoe shaped arches, doors and windows; traditional Islamic plasterwork and latticework; Islamic writings; and a heavy presence of plants. The horseshoe arch is known as an “alfiz” and the Islamic-style window screens are known as “mashrabiya.” These, in addition to the icicle-like droppings from ceilings and domes, are common components of modern-day mosques and other traditional Islamic structures. 

The gardens of the Alcazar were used not only for aesthetic purposes, but also for functional purposes. While the plants and trees were grown in the palace’s gardens for beauty, the plants were also used to feed members of the court. The gardens themselves were strategically structured to resemble what Muslims imagined paradise to look like based on the descriptions in the Quran. 

Granada

The Alhambra Palace in Granada is further evidence of the Islamic rule in Spain. The name Alhambra itself derives from the Arabic word “Al-Hamra” which means “red.” The palace was given this name for its reddish bricks and walls which can be seen from afar. Alhambra’s layout mimics that of many other palaces for Muslim princes. Three main floor plans dominate the site: the “mexuar” was open to all and the room where sultans received their subjects, the “diwan” is the throne room where receptions were held, and the “harem” is the prince's private quarters. Islamic inscriptions and verses from the Quran flood the walls, while the gold detailing accents the writings. 

 Mosaics and colored tiles in geometric and plant-like shapes, referred to as “alicatado,” are also in certain quarters. The mosaics are not only decorative but also contain strategically chosen tiles to cool the structure in the summertime. Plant motifs align with Islamic principles, as the depiction of human images is often frowned upon. The Fountain of the Lions in Alhambra is one of the most photographed features of  the palace, with 12 lions spewing water in the middle of the courtyard. Other famous aspects of Alhambra which are covered in arabesque patterns and constructed to resemble the gardens in heaven, include the Generalife and El Partal, two of the quieter locations in the palace. 

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Mia is a rising senior at Boston University majoring in journalism and minoring in international relations. As a Palestinian-American, Mia is passionate about amplifying the voices of marginalized communities and is interested in investigative and data-driven journalism. She hopes to start out as a breaking news reporter and one day earn a position as editor of a major publication..