Latin America originated many famous dances, including merengue, bachata, tango, samba and capoeira. Culturally, they represent the heart of Latin America with music and dance styles that are now celebrated throughout the world. 

1. Merengue, Dominican Republic:

Merengue is the national dance of the Dominican Republic; however, merengue originated in multiple sites across the Caribbean. In Puerto Rico, Cuban marching bands created the merengue initially called the “upa” in 1842.  At this time, local elites considered an African variant of the dance as a “corrupting influence.” Therefore, the government passed laws to fine and imprison those who danced merengue. Forty years later, Puerto Rico’s merengue died out, but Dominican merengue lived on. Merengue has two origin stories circulating in the Dominican Republic. The first story is that enslaved people created the dance as they cut sugar to the beat of drums while dragging one chained leg behind them. The other story is about a hero who returned to his village with a wounded leg after a revolution in the Dominican Republic. Both stories explain the usage of a dragging leg movement used in merengue. 

Merengue pairs dance with flirtatious gestures as dancers move in circles. Meanwhile, the music usually consists of accordions, drums and saxophones. Merengue plays an active role in many people’s daily lives; for instance, at social gatherings, celebrations and political campaigning. The dance has migrated to other Latin American countries, such as Venezuela and Colombia, where various forms have emerged.

2. Bachata, Dominican Republic:

Bachata was born in the Dominican Republic during the dictatorship of Trujillo. Trujillo claimed bachata was a lower art form and altogether banned both the music and the dance. As a result, bachata was only enjoyed in brothels, not helping its status as a respectable dance. Even after Trujillo’s reign, bachata was still frowned upon by society. In the 1960s and 70s, the people considered bachata to be “the poor people’s music.” Now, bachata is accepted and celebrated as hundreds of academics, studios and schools are dedicated to its transmission. There are three primary forms of bachata practiced; the Dominican bachata, bachata moderna and the traditional style. Bachata is a passionate dance between partners characterized by sensual hip movement and a simple eight-step structure. The lyrics of bachata music typically express deep feelings of love, passion, nostalgia, and feature a strong guitar base. Recently, bachata gained popularity because artists like Aventura, Prince Royce and Romeo Santos who turned bachata into one of the most sensual and romantic Latin dances.

3. Tango, Argentina:

Tango emerged from the immigrant culture on Argentina’s dockside slums; it’s a fusion of New World, African and European dance styles. Specifically, the music is inspired by the African community in Buenos Aires and uses elements from African rhythm, European music and South American songs. In its early years, tango primarily took place in the brothels of Buenos Aires. The steps are considered sexual and aggressive, with music creating feelings of longing and despair. It is said that dancers acted out the relationship of the prostitute and the pimp. In Buenos Aires, the upper-class society formerly considered tango indecent and associated it with violence, illicit sex and the lower class. In 1912, the passage of universal suffrage laws granted the lower class legitimacy, giving tango higher credibility. 

Additionally, as tango moved across Europe, the steps simplified and the sensual quality diminished a little. European approval made the tango acceptable to all Argentineans, and by the 1920s, it evolved into a national folk treasure. Argentinian dancers at its peak in the 1940s performed in cabarets, dance salons, social and sports clubs and restaurants. During tango’s golden age, Maria Nieves, a star from the 1980s show Forever Tango, said, “We were swept away by our love for tango. We just loved to go dancing. We didn't go out looking for sex...we didn't care what the man looked like. It was a nice, beautiful, pure group of girls, interested only in the tango.” 

4. Samba, Brazil

Samba originated in Brazil as a musical genre and dance style. Samba’s roots are in Africa. Brazil’s African descendants brought as slaves from Angola and Congo  first influenced and created the dance.  Samba was first born in Bahia, a coastal state of Brazil known as “Little Africa.” Some believe the Bahian priestesses would invoke the gods through song and dance. The word “samba” derives from the African Bantu word “semba.” The Kimbundo  word means “naval bump” which depicts intimacy and invitation to dance. The word samba is also the infinitive of kusamba, which means to pray or do a favor to the gods through song and dance. Some believe the heart of samba comes from Angola’s traditional semba music, which is about celebrating religious worship through an ancient rhythm. The musical genre combines percussion tempo with sounds of pandeiro, reco reco, tamborim and ciuca. The dance form typically emphasizes the movements of the hip and belly. Samba has become an icon of Brazil’s national identity as a form of cultural expression. 

5. Capoeira, Brazil

Capoeira isn’t a typical dance; it’s an art form tying fighting, dance, music, ritual and philosophy together to create a unique game called jogo de capoeira. Enslaved Africans brought their traditions from various cultures to South America, including capoeira. It was practiced on plantations as means of breaking the bonds of slavery both physically and mentally. At that time, capoeira was prohibited by the Brazilian Penal Code, because it was considered a social infirmity. The term “the outlaw” became so deeply incorporated with capoeira that the word transformed into a synonym for “bum,” “bandit” and “thief.” 

Nevertheless, capoeira persisted from its marginalized identity and became a cultural phenomenon. As a cultural art form, capoeira was a means to ensure African tradition would survive through slavery. Afro-Brazilians still uniquely evolve the practice throughout the years. The music along with capoeira consists of a bateria (orchestra) with three berimbau (stringed bow-like instruments), pandeiros (tambourines), an agogo (bell), a reco-reco (small bamboo instrument) and an atabaque (drum). The dance is like a game that can be playful and cooperative, intense and competitive. The movement is a fluid, swinging stance called “ginga.” Capoeiristas teach to attack and defend from any position with any part of the body to practice adaptability and preparedness for any movements. The underlying principles of capoeira are understanding the complexities of human interaction, being ready for anything, the value of cleverness and the strength of indirect resistance. As its creators were once oppressed, capoeira’s philosophy is rooted in survival at all costs through creative measures. 

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Kyla is an upcoming senior at Boston University, and is majoring in Journalism with a minor in Anthropology. She writes articles for the Daily Free Press at BU and a local paper in Malden, Massachusetts called Urban Media Arts. Pursuing journalism is her passion, and she aims to highlight stories from people of all walks of life to encourage productive, educated conversation. In the future, Kyla hopes to create well researched multimedia stories which emphasize under-recognized narratives.