In the U.K., writers and refugees collaborate to end indefinite detention.

The United Kingdom’s immigration policy allows it to detain migrants indefinitely while the government resolves their immigration status. The U.K. is the only country in Western Europe with this law; other European nations have a maximum time limit to detain people, usually ranging from about a month in France to six weeks in Germany. In 2015, a group of writers and activists in the United Kingdom combined forces to create the Refugee Tales—a short story collection and an annual walk to raise awareness about indefinite detention for migrants in the U.K. The Refugee Tales seeks to put a 28-day time limit on immigration detention.

The walk mimics the style of fourteenth-century poet Geoffrey Chaucer’s “The Canterbury Tales.” In his poem, a diverse group travels from London to Canterbury, telling stories throughout the journey to entertain each other. The Refugee Tales takes a broader scope, engaging people worldwide for social change. 

As a part of the Refugee Tales, established writers partner with those impacted by the U.K.’s indefinite detention model. The writer transcribes their narratives. Those sharing their stories may work within the immigration system as social workers or interpreters. Oftentimes, they are migrants who have experienced indefinite detention. Writers share these stories with walkers during the evening—as Chaucer’s characters did with their tales—and compile them in short story collections, read them aloud in videos, and share them in news outlets. 

The written work created between author and refugee lies at the heart of the movement. Storytelling works to raise awareness about the problems migrants face on their journey to the U.K. and in these detention centers. 

Scottish author Ali Smith, who wrote “How to be Both” and won the Baileys Women’s Prize for Fiction, is the patron of The Refugee Tales. She described storytelling as “an act of profound hospitality.” Transcribing the stories refugees tell elicits “sympathy and empathy” from listeners. 

Smith wrote “The Detainee’s Tale,” telling of a young man who arrived in the U.K. as a victim of human trafficking. After escaping, he found a community at a church that advised him to reach out to the Home Office—the U.K.’s ministerial department responsible for security and immigration—for help.  

“You do it,” Smith writes as the young man says. “You write to the Home Office. They come. They arrest you. They put you in prison for six months because the passport you’ve got is the wrong kind.”

Many British literature scholars view Chaucer as the “Father of English poetry.” “The Canterbury Tales” is a staple in many British literature classes. Telling refugees’ stories in the style of a quintessential British text is a political statement, making these refugees a part of the cultural canon and saying they deserve a place in the United Kingdom.

TO GET INVOLVED:

The Walk: The Refugee Tales will host their annual walk this year from July 6-10 from Edenbridge in Kent to Westminster in London. You can buy tickets to participate in the walk. 

The Stories: For easier yet impactful involvement, listen to or purchase the books full of the U.K.’s refugees’ tales.