Too often history is viewed as an element of the past—chains of unchangeable events that can be analyzed and nothing more. However, it is important that victims of past atrocities are honored, a lesson in which modern media has fallen short.
Unaltered photos of Khmer Rouge genocide victims at the Tuol Sleng Genocide Museum. Christian Haugen. CC BY 2.0.
With the advancements of the digital age, the culture of media has grown ever more rapid, often leading to negative consequences. In a recent incident, history itself took center stage as one photographer’s actions sparked massive outrage among victims of the Khmer Rouge genocide, which led to the deaths of more than 2 million Cambodians in the late 1970s.
Vice published the work of photographer Matt Loughrey, who edited photos of victims from the S-21 prison in Phnom Penh taken minutes before their executions. Loughrey has been accused of editing the photos so that they show smiling faces, creating waves of backlash for the photographer.
Torture room. Timoluege. CC BY-NC 2.0.
Upset relatives of the photographed victims stated that Loughrey’s work was of horrible judgment, citing his acts as degrading the dignity of the victims. Cambodian officials too were outraged upon seeing the photos; the country’s Ministry of Culture and Fine Arts threatened legal action. In addition to insensitive alterations of the photos, the Vice article misidentified one of the victims, publishing incorrect personal details.
Victims’ skulls. istolethetv. CC BY 2.0.
Others have declared the actions of Loughrey to be crimes against history itself, stating the alterations to be offensive to truth.
VICE has since removed the photos, citing errors in the company’s editorial process.
The Bigger Picture
Beyond the first waves of anger resulting from this incident, larger lessons have been learned by all involved. Primarily, the incident has brought to light a flaw in the way people view history; although history is an analysis of past events, it must be equally weighted against potential consequences for the victims themselves. Second, it highlights that history is not always entirely of the past—there are still over 5 million Khmer Rouge victims living, along with millions of other descendants and close community members. Third, it brings up the question of what should be considered acceptable when it comes to altering representations of history. Is there wiggle room for subjectivity, or should all journalistic representations be as objective as possible?
Amid the turmoil and animosity between the opposing sides of this conflict, some light still remains. The incident stands as a crucial reminder for everyone that the analysis of history can be as much a weapon as a tool. It remains up to the media, and their audiences, to use the past appropriately.
Ella Nguyen
Ella is an undergraduate student at Vassar College pursuing a degree in Hispanic Studies. She wants to assist in the field of immigration law and hopes to utilize Spanish in her future projects. In her free time she enjoys cooking, writing poetry, and learning about cosmetics.