The Long Road Home: Should Western Museums Repatriate Artifacts?

Should the thousands of artifacts looted from their countries of origin during colonial times be returned home?

Almost 900 of the Benin Bronzes, a collection of ancient Nigerian artifacts widely considered stolen, are now on display at the British Museum. Lauren Fleishman. CC BY-SA 2.0.

While archaeologists must abide by a number of strict ethical guidelines when conducting research in foreign countries, museums are seldom held to the same level of scrutiny when acquiring artifacts. Many world class museums house relics of significant historical and cultural importance, undoubtedly attracting both hordes of curious visitors and a great deal of commercial benefit. The question is, however, should these museums really be benefitting from objects that they have effectively stolen from other countries? The question of repatriating many of these looted artifacts has been the center of great controversy in recent years, as many ex-colonial countries who are victims of such theft are beginning to contest the legal ownership of these objects.

The Elgin Marbles are original parts of the Parthenon and were taken from Athens in the early 1800s to the British Museum. Wally Gobetz. CC BY-NC-ND 2.0.

On the prolific collection of artifacts on display at the British Museum in London, which currently have contested ownership, Professor Chika Okeke-Agulu, a renowned art historian and professor of Nigerian heritage now teaching at Princeton University commented, “You cannot claim to be an encyclopedic collector of stolen objects.” His view makes reference to the historically familiar colonial behavior that many have begun to recognize in the attitudes of the British Museum and many other similar Western institutions towards the repatriation of artifacts. Giving back the artifacts, however, may not be as simple as flying them back home. In the specific case of the British Museum and other museums in England, the British Museum Act of 1963 legally limits any desire to return the Benin Bronzes from Nigeria, the Amarvati Marbles from India and even the world famous Rosetta Stone originally from Egypt among thousands of other objects.

King Philippe of Belgium (right) returning a historical Kakuungu mask to Congolese President Félix Tshisekedi (left) during a state month in June, 2022. Cabinet of Prime Minister Alexander De Croo. CC BY-NC-ND 2.0.

There have been a few stories in recent news highlighting the successful repatriation of artifacts to the ex-colonies they were taken from. June of this year marked the beginning of Belgium’s pledge to return more than 80,000 artifacts looted from the Democratic Republic of the Congo (DRC) over the 75-year period during which they ruled over the colony. King Philippe of Belgium expressed his “deepest regrets” over his country’s treatment of the DRC in a letter to the Congolese president Félix Tshisekedi back in 2020, the 60th anniversary of the country’s independence. The King handed a “Kakuungu” mask handmade by the Suku people native to the southwest region of the DRC to President Tshisekedi during his state visit to Kinshasa last month. This particular artifact had been housed in the Royal Museum for Central Africa located near the Belgian capital of Brussels, a site used as a “human zoo” towards the end of the 19th century, where hundreds of captured Congolese villagers were put on display in abysmal conditions.

Turkey’s Culture Ministry claims that tiles in the Ottoman Wall display at the Louvre Museum’s in Paris were stolen from Turkey in the 19th century. Ömer Erbil. CC BY-NC 2.0. 

To the many in favor of artifact repatriation, getting the objects home is more than just about the claims of ownerships over these pieces. Many, if not all, of these artifacts is incredibly significant to the cultural and historical identities of countries that suffered under colonial rule, and this inability to access vital parts of their own histories are simply a continuation of that hardship. The popular claim among Western museums that they are simply housing the objects so that they remain accessible to all is also a contentious one. In an interview with CBC, Professor Okeke-Agulu called the argument “stupid” due to its implicit understanding that the museums are only thinking about access to visitors from other Western countries, rather than those from the African continent for whom it is extremely difficult to travel across the world to enjoy these artifacts. He and many others believe that the return of these objects is long overdue -- that these institutions need to get “on the right side of history”.



Tanaya Vohra

Tanaya is an undergraduate student pursuing a major in Public Health at the University of Chicago. She's lived in Asia, Europe and North America and wants to share her love of travel and exploring new cultures through her writing.

The 10 Best Museums You’ve Never Heard Of

The world’s most popular museums are often overcrowded and overwhelming. Here are 10 of the world’s best museums that are less known but just as impactful.

People walk by Zentrum Paul Klee in Bern, Switzerland. Lys Ippos. CC BY 3.0. 

The most popular museums in the world—the Louvre, the Met, the Tate Modern—offer an incredible breadth of art, but are often crowded, congested and overwhelming. Lesser-known museums can offer exceptional art, culture and history, all without the lines and high volumes of other visitors. Here are 10 of the best museums around the world that fly under the radar and are home to unique and fascinating collections. 

1. Louisiana Museum of Modern Art 

The exterior of the Louisiana on the Oresund Sound. CC BY 4.0. Kim Hansen. 

The Louisiana, located outside of Copenhagen, Denmark, is home to one of the most immersive modern art collections in the world. In response to Danish museums turning away modern art, founder Knud W. Jensen created the Louisiana in 1958. The museum’s integration of indoor, outdoor and digital space allows visitors to move through art dynamically, fulfilling Jensen’s goal of a truly integrated art experience. This museum is also one of the only in the world with a permanent light installation from Yayoi Kusama, whose temporary installations in cities such as New York are almost impossible to get tickets for. 

2. Museum of Broken Relationships

The Museum of Broken Relationships. CC BY 2.0. Pros Opee. CC BY 2.0.

This museum, created by artists Olinka Vistica and Drazen Grubisic, is located in Zagreb, Croatia, with a second gallery in Los Angeles. The museum’s mission is to create a shrine of symbolic possessions that commemorate and treasure humanity’s ability to love and to lose. While the Museum of Broken Relationships is a physically stunning museum, the heart of this project stems from its global engagement. The museum’s online component has space for everyone to share the story of their heartbreak. View the online portion of the museum here.

3. Pitt Rivers Museum 

Interior of the Pitt Rivers Museum. Geni. CC BY 2.0.

The Pitt Rivers Museum in Oxford, England, is home to over half a million artifacts from around the globe. A fascinating collection of anthropological and archaeological items, the Pitt Rivers Museum is unique because of its organizational system for displays. Rather than grouping items together by period or people, the Pitt Rivers Museum groups items together by type, illustrating the commonalities between different peoples and histories throughout the world. You can visit the museum virtually today.

4. Tenement Museum 

The Tenement Museum exterior. Beyond My Ken. CC BY 2.0.

The Tenement Museum in New York City is devoted to the history of immigration and migration to the United States. Located in a formerly dilapidated tenement building that was home to immigrant families between 1860 and 1930, historian Ruth Abram and social activist Anita Jacobsen built their museum around the stories of these families. In connecting public policy, oral history and immigrant narratives, the Tenement Museum offers a moving and topical exploration of recent history. 

5. The Kunstkamera 

The Kunstkamera in St. Petersburg, Russia. Flor Stein. CC BY 4.0. 

Established by Peter the Great at the beginning of the 18th century, the Kunstkamera’s collection comprises nearly 2 million oddities.  Located in St. Petersburg, Russia’s first museum was founded with the goal of containing all of the world’s knowledge in one building. This massive collection remains relatively unknown outside of Russia, but offers one of the world’s most vast displays of global anthropology and ethnography. 

6. Castello di Rivoli 

The facade of Castello di Rivoli. M. A. CC BY 2.5. 

In 1984, the Castello di Rivoli became the first museum in Italy completely devoted to contemporary art. Located just outside of Turin, this museum is located in a UNESCO World Heritage Site. The castle buildings are open to the public and the modern art exhibitions within the castle walls are world-class, with the Castello di Rivoli also serving as one of the world’s premier art history research centers. 

7. Zentrum Paul Klee 

Zentrum Paul Klee exterior. Krol K. CC BY 3.0. 

This museum, located in Bern, Switzerland, is dedicated to the work of artist Paul Klee. Klee’s artistic collection is remarkable in its own right with his groundbreaking exploration of color theory, but the draw of this museum is also the physical building. Designed by Italian architect Renzo Piano in 2005, the iconic building integrates the natural hilly landscape with metallic swoops and arcs that mirror Klee’s art. Check out the online exhibit, “Mapping Klee,” at this link

8. Museum of Old and New Art 

“Snake” by Sidney Nolan in MONA. Jeff Owens. CC BY 2.0. 

MONA, the Museum of Old and New Art, is an ever-changing collection of ancient, contemporary and modern art. Located in Hobart on Australia’s island of Tasmania, the museum is built into a cliff and prioritizes multimedia installations, engagement with community-based art, and live performances. MONA elevates the museum experience by operating a winery, hotel and restaurant on-site that all mirror the museum’s ethos: fun. 

9. Museum Willet-Holthuysen

Interior of the Museum Willet-Holthuysen. Remi Mathis. CC BY 3.0. 

The Museum Willet-Holthuysen is a homage to Amsterdam’s golden age. Built in 1687, this canal house was donated to the Dutch city in 1895. The 18th- and 19th-century room decor is still in its original condition, and the gallery walls are lined with paintings from the Willet-Holthuysen private collection, allowing many of the paintings to be displayed in their original historic setting. View part of the collection online here

10. The Neon Museum

Signs in the Neon Museum. Adrian Grycuk. CC BY 3.0. 

Since 2005, this museum in Warsaw, Poland, has been dedicated to the preservation of Cold War-era artifacts; namely, neon signage from the Soviet Union. In the Eastern Bloc, which included Poland, there was an official effort from the 1950s to the 1970s to “neonize” the state. The Soviet attempt to bring Western aesthetics to Eastern Europe has been preserved at the Neon Museum, where gallery walls are lined with an array of colorful relics. 



Sarah Leidich

Sarah is currently an English and Film major at Barnard College of Columbia University. Sarah is inspired by global art in every form, and hopes to explore the intersection of activism, art, and storytelling through her writing.