10 Nigerian Artists Redefining Africa’s Music Scene

January 20, 2021

From influencing the #EndSARS protests to confronting the commodification of African culture, these artists have unique approaches to their art.

DaVido performing. Wikimedia user Rasheedrasheed. CC BY-SA 4.0.

Nigerian musicians have been spreading their influence all over the world for the past few decades. Following in the footsteps of Fela Kuti, contemporary artists experiment with a plethora of genres, fine-tuning their style as they progress. Renowned artists such as Burna Boy, DaVido and Cruel Santino are the driving forces of the Afrobeats movement, which combines African subgenres, American hip-hop, and R&B. Here are 10 influential Nigerian musicians to listen to.

1. Tony Allen

Tony Allen. Pierre Priot. CC BY-NC-ND 2.0.

Tony Allen is the father of the Afrobeat genre. Allen passed away in April 2020 after releasing his final album, “Rejoice,” in collaboration with the late South African jazz artist, Hugh Masekela. Allen’s polyrhythmic drumming complements Masekela’s trumpet in this riveting jazz album. From his earlier days of performing with Fela Kuti to his more recent collaborations with Skepta and Oumou Sangare, Allen has pioneered the combination of American jazz with African beats. After a career which explored a multitude of scenes in the music world, Allen falls back into his Afrobeat roots in his very last album.

2. Naira Marley

Rapper Naira Marley is a contentious figure in Nigeria. Marley is known as a founder of the genre Afro-bashment, a combination of Caribbean influences, American trap rap, West African beats and British rap. Naira Marley is known for his controversial beliefs and ideas; in “Am I a Yahoo Boy,” he offers an unabashed critique of the Nigerian government, higher education and social conservatism. His single “Koleyewon,” which was released in December 2020, is a fast-paced trap song in Yoruba.

3. DaVido

American-born musician DaVido is a world-renowned Afrobeats artist who synthesizes elements of R&B, rap and Afropop to build up his discography. His heavily auto-tuned vocals and his simple audio production make up his signature sound. DaVido’s most recent album, “A Better Time,” featured Nicki Minaj, Chris Brown and Lil Baby. Despite its famous featured artists, the album’s first track, “FEM,” received the most attention globally. “FEM,” which means “shut up” in Nigerian slang, was labeled the anthem of the #EndSARS protests in Nigeria, which called for the dissolution of the Special Anti-Robbery Squad. Although the artist himself didn’t intend to express a politically charged message, he was nonetheless impassioned by his country’s fight against police brutality.

4. Cruel Santino

Up-and-coming musician Cruel Santino came to the world stage in 2019 with his debut album “Mandy & The Jungle.” Although he is one of the younger artists of the Nigerian music renaissance, Cruel Santino offers an impressive range of styles in his first album. The mellow, laid-back beat of “Sparky” contrasts with the country twang of “Diamonds / Where You Been.” His new single “End of The Wicked” showcases his maturation as a musician and an artist: the solemn piano is redeemed by a syncopated jungle beat, which accompanies his verbose rap.

5. Odunsi (The Engine)

Odunsi (The Engine) is a master of his craft. His discography is all-encompassing: church choirs and spoken word start off his 2018 album “Rare”; an orchestra plays over his verse in his greatest hit “Tipsy”; a vaporwave synth paints “Luv In a Mosh” blue. Odunsi (The Engine)’s album covers visually harmonize with his music. The ethereal blue moon in “Everything You Heard Is True,” which was released in May 2020, mirrors Odunsi’s experimentation with atonal melodies and distortions. On top of this hypnotic album, the musician released two singles in 2020: “Decided” and “Fuji 5000.” Both are dramatically different from each other; the only constant is Odunsi’s effortless flow.

6. Simi

Simi’s distinctly sweet voice is the honey that binds her music together. Less is more in her 2017 album “Simisola,” where her vocals and the acoustic guitar are the only elements that matter. The Nigerian singer started off as a gospel singer in 2008, but transformed her career in 2014 after the success of her singles “Tiff” and “E No Go Funny.” Simi released “Restless II” in 2020, which is a change of pace from her slow crooning. In an interview with OkayAfrica, the singer admits that, “This project is a risk as well, it’s even more of a risk because it’s R&B and Nigeria is not necessarily the biggest R&B market.” As Simi continues to dabble in hip-hop, she comes out with more powerful hits like “No Longer Beneficial” and “There for You.”

7. Niniola

Niniola. Wikimedia user Naijareview. CC BY-SA 4.0.

Often regarded as the “Queen of Afro-House,” Niniola is a global star who fights to find her footing as an empowered Yoruba woman. Niniola rose to fame from her 2017 hit “Maradona,” a seemingly light pop tune which dealt with the traumas of her upbringing. As a girl growing up in a polygamous household, Niniola experienced the double standards of a patriarchal family. Reckoning with her womanhood, Niniola recounts the experiences of a woman who is cheated on by her husband, woes which are usually kept secret. With an album and a couple of huge hits under her belt, Niniola comes back strong with her new album “Colours and Sounds,” which includes a refreshing take on reggae, pop and dancehall.

https://youtu.be/lRpBLAwIbeA

8. Burna Boy

Burna Boy’s album “Twice as Tall” covers a variety of topics, from how the artist grapples with the reality of colonialism to the frenzy of a night out. Burna Boy is a household name in the music industry, and this album attests to the singer’s mastery over songwriting and producing. In his song “Monsters You Made,” Burna Boy addresses Western imperialism and how its consequences are still felt today. His song “Alarm Clock” begins with voice recordings, opera and a saxophone, and quickly switches to an upbeat rap song.

9. Deto Black

.@DetoBlack is the Nigerian musician, writer, and fashion muse with a unique—and proudly feminist—take on style and creativity.https://t.co/TN8qWAu7O6
— Vogue Magazine (@voguemagazine) November 14, 2020

Model and rapper Deto Black refuses to be labeled as an Afrobeats musician. The feminism and sex positivity of her music is obvious and brought to the forefront of her message as an “alté,” or alternative, artist. As a Lagos-based rapper who lived in the U.K. and the U.S. growing up, Deto Black navigates the different worlds by calling for gender equality in Nigeria.

10. Zlatan Ibile

Zlatan is a new Nigerian singer and dancer who found fame through his viral song “Zanku” (Legwork), which was accompanied by a famous dance. Since 2019, the singer has released three albums, started a record label, and released the successful single “Lagos Anthem.” “Lagos Anthem” is an energetic dance song with darker lyrics criticizing the government for its flawed policies.

These Nigerian musicians are beginning to impact American and British pop music. Although each of these individuals comes from a different discipline and background, they all have a commitment to experimenting in their craft. Some thrive in and renovate the Afrobeats movement, while others resist the umbrella term. The common ground between alté musician Deto Black’s tackling of gender inequality and DaVido’s propelling of the #EndSARS revolution is their commitment to the well-being of Nigeria.

Nigeria’s Stolen Schoolboys Reach Freedom

December 23, 2020

Young people in Nigeria begin their days with walks to school. For boys returning to the Government Science Secondary School in Kankara, these walks will mean something entirely different.

In the northwestern Nigerian state of Katsina, the militant group Boko Haram is thought to be responsible for stealing young men. On Dec. 11, unidentified men with guns invaded the Government Science Secondary School in the city of Kankara on motorbikes to kidnap the schoolboys. The gunmen proceeded to march the boys into the Rugu forest of Nigeria, potentially to use them as child soldiers if not freed. The governor, Aminu Bello Masari, says a total of 344 boys held in the forest have now been liberated in the neighboring Zamfara state. In describing what they went through, the boys said they walked through large stretches of forest, stopping during the daytime and walking all night without shoes on stony ground littered with painful brush. There was no clarification on how or why they were freed, or if all the boys stolen were let go. As Boko Haram has executed similar kidnappings in the past, many think the Islamist militant group is behind the event.

Map of Nigeria with the city of Kankara highlighted. Google Maps.

On Dec. 18, the schoolboys were finally returned home. The governor of Katsina state and Nigeria's president greeted them as they were brought back to their homes by military personnel. “I think we have recovered most of the boys,” Masari said in a televised interview with state channel NTA. The boys that were found have since been medically examined and returned to their families. It is important to note that the search is still ongoing as of Dec. 21.

A typical street scene in Katsina state. Adebola Falade. CC BY-SA 4.0

Reports as to who is responsible for the kidnappings are unclear as unverified sources have attributed it to a resurgence of Boko Haram, the extremist group which has kidnapped in the past. In 2014, it executed the kidnapping of more than 270 schoolgirls in the northeastern town of Chibok, and nearly 100 of those girls are still missing. Now, residents of northern Nigeria believe the group is back.

For the families of the boys, their return comes as a celebration. In a quote given to Reuters, retired health worker Shuaibu Kankara, whose 13-year-old son Annas Shuaibu was among the kidnapped boys, said, “I am so happy. We are so grateful to the governor of Katsina and all those who worked hard to secure their release.” The quick and seemingly uncomplicated return of the boys comes as a great shock but an even greater relief.

As mentioned, many suspect that Boko Haram is responsible for the attack. The extremist Islamic rebels have taken responsibility for the abduction, claiming they attacked the school as a punishment for its Western teachings. For now, the investigation is ongoing, but the swift release of the boys sends a hopeful message that the Nigerian government is able to handle attacks quickly and effectively. Although there is fear that Boko Haram will act again, a precedent has been set by the efficient handling of this mass kidnapping.

Renee is currently an English student at The University of Georgia. She lives in Ellijay, Georgia, a small mountain town in the middle of Appalachia. A passionate writer, she is inspired often by her hikes along the Appalachian trail and her efforts to fight for equality across all spectrums. She hopes to further her passion as a writer into a flourishing career that positively impacts others.

Disaster in the Delta: Workers Accused of Profiting from Oil Spills in Nigeria

December 22, 2020

A new documentary reports that employees of Shell’s Nigerian subsidiary are encouraging attacks on pipelines to pocket funds intended for environmental cleanup.

A man walks alongside land tainted by an oil spill near Kegbara Dere, Nigeria. Friends of the Earth International. CC BY-SA 2.0

As the largest oil producer in Africa, Nigeria has long struggled to balance the demands of multinational corporations with the needs of its own people. The country provides a clear example of the resource curse, as the government turns a blind eye toward endemic corruption in the oil and gas industries. The Niger Delta, home of Nigeria’s oil reserves, has become a land of lawlessness and environmental catastrophe with no clear end in sight.

For decades, Royal Dutch Shell has been in the crosshairs of both environmental and human rights activists over its role in the Niger Delta. Now, the Anglo-Dutch oil company is facing claims that its employees deliberately sabotaged its own pipelines to profit from environmental cleanup funds.

In a documentary released on Dec. 10, Dutch television program Zembla and environmental group Milieudefensie teamed up to investigate claims of malpractice by the Shell Petroleum Development Company of Nigeria (SPDC). This group is a joint venture between the state-run Nigerian National Petroleum Corporation, France’s Total, Italy’s Eni and Shell, which runs all operations.

Research focused on the village of Ikarama, where there have been 30 reported oil spills in the last 13 years alone. The region surrounding the community has become so polluted that agriculture and fishing barely yield any income for locals. Frustration with oil companies has mounted, leading some residents to vandalize pipelines to channel their frustration.

Per the report, Royal Dutch Shell’s employees saw an opening. They began to encourage local youths to sabotage pipelines so they could receive funds necessary for environmental cleanup. Workers for the oil titan received vast sums of money for “eco-friendly” measures, and members of the Ikarama community were hired to restore the land.

The SPDC denies responsibility for the oil leaks, instead blaming local criminals and gangs. The group said in a statement that, “As of now, we are not aware of any staff or contractor having been involved in acts causing oil spills in the Niger Delta.” The SPDC further claimed that it investigates all credible reports of misconduct and addresses situations as needed.

A sign points out Shell’s Oloibiri well, the first drilled in West Africa. Rhys Thom. CC BY-NC-ND 2.0

In the eyes of Cees van Dam, a professor of international business and human rights at the University of Rotterdam, the accusations are credible. “In the Netherlands,” he notes, “this would certainly be considered a criminal offense. Intentional destruction of property, intentional environmental pollution, these are serious issues that no single company would accept from its employees.”

Moreover, employees of the SPDC and residents of Ikarama attest to the claims addressed in the documentary. Saboteurs insist that they vandalize the pipelines “out of hunger” while a former Shell security guard said that supervisors and employees “split the money from the cleanup.”

Making matters worse, the former security guard said that “the recovery department from Shell sabotages the pipelines. If the cleanup will take seven months, they’ll stop after only three months.” In other words, the land remains in disarray even after remediation measures conclude.

In the documentary, Zembla claims that local employees and villagers were far from the only ones aware of the scheme. The SPDC, the Nigerian police and the Dutch embassy in Abuja also received word of the process from concerned locals. Then Dutch ambassador Robert Petri even visited Ikarama in 2018 and pledged to “take what is happening here … and we will share our experiences and information with both Shell and the government.” No further investigations have occurred.

As such, the process of intentional environmental degradation continues. As the alleged scheme moves into the spotlight, there is an opportunity for corruption in the Niger Delta to be extinguished. The region’s troubled past and present are intrinsically tied to the oil industry, but hope remains that a more transparent future may be just around the corner.