Report Finds W.H.O. Workers Sexually Exploited Women During Ebola Mission

Women were sexually exploited and abused by aid workers in order to obtain or keep jobs during the Ebola Crisis in the Democratic Republic of Congo.

A young girl washes her hands at a checkpoint at the border between Uganda and the DRC. UK Department for International Development. CC BY 2.0

According to a report commissioned by the agency’s head, World Health Organization workers sexually abused women while in the Democratic Republic of the Congo to aid the Ebola outbreak from 2018 to 2020. The report found that 83 people participated in the abuse, and in 21 cases, those involved were confirmed to be WHO officials. The investigation started in September 2020 when The New Humanitarian and the Thomas Reuters Foundation published a report investigating abuse claims. The report found that 31 out of 50 women interviewed reported abuse and exploitation from men working for the WHO. In response, leadership in the World Health Organization ordered an independent commission to investigate. After working in Beni, one woman interviewed by the commission stated, “To get ahead in the job, you had to have sex … Everyone had sex in exchange for something. It was very common.” In addition, women reported that they were sexually harrassed and faced exploitation in order to keep their jobs, get paid or get a promotion. In some cases women were dismissed from their jobs when they refused to have sex with supervisors.

The commission established that the majority of the victims were already vulnerable because of precarious social and economic status, and women with more education and economic power were less vulnerable to abuse. The report found that there was a “systematic tendency to reject all reports of sexual exploitation and abuse unless they were made in writing”. While the WHO has training in place to prevent sexual abuse, the report found that training for employees did not happen until November 2019, months after the outbreak had been declared an emergency. Only 371 out of 2,800 workers attended the training. Additionally, men make up the vast majority of employees during the crisis, averaging 73.4% overall. The report cites that men held 77.49% of leadership positions and 91.52% of operations support and logistic positions.

The WHO was not the only organization accused of abuse, The New Humanitarian’s investigation found that there were allegations against workers at World Vision, Unicef and Alima, among others. Additionally, the investigation found that underreporting was prevalent in these cases, with one woman stating, “Why would you even ask if I reported it?” The New Humanitarian found that many women were unaware of how to report abuse or exploitation at all. Most aid agencies claimed they had received no reports of abuse, and the WHO stated they had received only a small number of complaints. ​​Dr. Tedros Adhanom Ghebreyesus, the Director-General of the WHO, apologized to victims and said it was his top priority to hold perpetrators accountable during a press conference after the report’s publication.



Dana Flynn

Dana is a recent graduate from Tufts University with a degree in English. While at Tufts she enjoyed working on a campus literary magazine and reading as much as possible. Originally from the Pacific Northwest, she loves to explore and learn new things.

Fight for Civil Liberties Doesn't Stop for a Pandemic in Chile

Despite unrest in Chile, feminist group Las Tesis continues to advocate for justice against police brutality and sexual violence toward women in Latin America.

Translation: “Systemic violence is the worst crime.” John Englart. CC BY-SA 2.0

Last year, Chilean feminist group Las Tesis released “Un Violador en Tu Camino” (“A Rapist in Your Path”), a song that became an anthem against sexual violence worldwide. The piece, which calls out the judicial system and the struggle of women across Latin America, has been performed all around the world in the form of flash mobs. Many who participate wear black blindfolds and green scarves to advocate for legal abortion practices as well.

The song first was created in light of the social inequality protests occurring in Chile in November 2019. The lyrics call out the unfair treatment of the Chilean government toward women. It says that a narrative is being written where women are to blame for sexual violence. Yet, the song places blame on the patriarchy, police and government systems for being blind to this ongoing violence.

According to the Organization for Economic Cooperation and Development, Chile is considered one of the world’s most unequal countries and is susceptible to climate change. Chile is also considered to have one of the highest costs of living across South America. While the rich prosper from their investments in terms of development, the poor communities and Indigenous people suffer at the hands of urbanization.

Feminist sign in Chile which translates to “the feminist struggle is also against neoliberalism.” John Englart. CC BY-SA 2.0.

Many Chileans consider themselves “at war against a powerful enemy.” Rather than succumbing to the protesters’ demands, President Pinera declared a state of emergency that involved the deployment of the military to control crowds and the institution of a curfew. These measures have caused a sharp decline in protests like Las Tesis’.

International attention has focused on the treatment of protesters, with allegations of human rights violations. For instance, there have been claims that protesters may have been tortured, resulting in at least 19 deaths and 20 people being reported missing. Additionally, there has been a 15% increase in sexual violence reports since last year.

However, on June 12, the police filed a lawsuit against Las Tesis. In the lawsuit, police claim that the feminist group encourages violence against officers of Chile’s national police force, Carabineros de Chile. Charges came after the release of “Manifesto Against Police Violence,” a video produced alongside Russia’s Pussy Riot where protesters stood outside of a police station and demanded to “fire the police.” Chilean police took the video as threats against officers, but no papers have been officially served yet to the feminist group.

Daffne Valdes, one of the founders of Las Tesis, said in an interview with Al-Jazeera that “this is an attack on freedom of expression,” calling it a form of censorship. Even though in both the song and video by Las Tesis the police are called out as “rapists,” group members say they are simply referring to the corruption seen throughout Chile’s police system.

Eva Ashbaugh

is a Political Science and Gender, Sexuality, and Women's Studies double major at the University of Pittsburgh. As a political science major concentrating on International Relations, she is passionate about human rights, foreign policy, and fighting for equality. She hopes to one day travel and help educate people to make the world a better place.