Brazil’s Black Lives Matter Movement 

Brazil, the last South American country to abolish slavery in the late 1800s, struggles to uplift their nation’s Black lives. Through pay gaps, urban designs, government representation and policing, Brazil’s society threatens the Black community. 

A protester on the streets in Brazil. Michelle Guimarães.

Over the course of 300 years, approximately four million Africans were taken to Brazil as slaves. Today, Brazil’s racial demographics are  47.7 percent white, 43.1 percent multiracial and 7.6 percent Black. The average income for white Brazilians is almost double that of the average income for Black or multiracial Brazilians, according to the Brazilian Institute of Geography and Statistics. Also, 78.5 percent of people in Brazil who are receiving the lowest rate of income (equivalent to $5.50 U.S. dollars per day) are Black or multiracial people.

This May, Black Lives Matter protests filled the streets of Rio de Janeiro, Sao Paulo and Brasília after 28 people died during a police raid. Human rights activists said that the officers killed people who wanted to surrender and posed no threat. The raid took place in Rio de Janeiro, where heavily armed officers with helicopters and vehicles went into Jacarezinho, a poor neighborhood. Thousands of residents were subject to nine hours of terror.

Organizers said that 7,000 people took to the streets in Sao Paulo. Protesters painted the Brazilian flag with red paint and held up a school uniform stained with blood. In Rio de Janeiro, protestors chanted, “Don’t kill me, kill racism.”

As Brazilian author and activist Djamila Ribeiro said, “The Brazilian state didn't create any kind of public policy to integrate Black people in society," and that "although we didn't have a legal apartheid like the U.S. or South Africa, society is very segregated—institutionally and structurally."

In 2019, the police killed 6,357 people in Brazil, which is one of the highest rates of police killings in the world—and almost 80 percent of the victims were Black. 

During COVID-19, Black Brazilians were more likely than other racial groups to report COVID-19 symptoms, and more likely to die in the hospital. Experts attributed this disparity to high rates of informal employment among Black people, preventing them from the ability to work from home, and a higher prevalence of pre-existing conditions. Specifically, in 2019, Black Brazilians already accounted for the majority of unemployed workers (64.2%); therefore, they already lacked economic support even before the pandemic.

An artist’s photoshoot with Brazil flag covering their bodies. Eriscolors. 

Only a quarter of federal deputies in the lower chamber of Brazil’s Congress and a third of managerial roles in companies were Black people, according to the IBGE statistics from 2019.  

Brazil’s President, Jair Bolsonaro, said during his campaign in 2018 that descendants of people who were enslaved were “good for nothing, not even to procreate,” while using the slogan “my color is Brazil.”

Keisha-Khan Y. Perry, a professor at the University of Texas, conducted an ethnographic study looking at how Black women in Gamboa de Baixo—a city culturally and historically tied to Black Brazilians—are leading the community towards social activism against racist politics. Specifically, these racist policies include political urban revitalization programs that push out Black and poor people. Perry said that these policies are a political tactic continually utilized in Brazilian cities. 

However, recently in May, Milton Barbosa, one of the founders of the most notable Black civil rights organization in Brazil, Unified Black Movement, said, “There’s been an increase in awareness nationally… We still have to fight, but there have been important changes.” 



Kyla Denisevich

Kyla is an upcoming senior at Boston University, and is majoring in Journalism with a minor in Anthropology. She writes articles for the Daily Free Press at BU and a local paper in Malden, Massachusetts called Urban Media Arts. Pursuing journalism is her passion, and she aims to highlight stories from people of all walks of life to encourage productive, educated conversation. In the future, Kyla hopes to create well researched multimedia stories which emphasize under-recognized narratives.

Gen Z’s Online Activism Helps and Harms Social Movements

Gen Z, those currently ages 11-25, have been using the Internet and social media all their lives. More informed about social issues through Instagram and TikTok, they are also more vulnerable to misinformation as much content on such platforms is not fact-checked or verified.

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London’s Mayor Promises Police Reform After Months of Unrest

In London, Mayor Sadiq Khan promises police reform after months of Black Lives Matter protests. By committing to hiring diverse police officers, Khan sets the precedent for other major cities to follow. 

The Metropolitan Police Service at Trafalgar Square in London. CGP Grey. CC BY 2.0.

On Nov. 13, the mayor of London, Sadiq Khan, announced that by 2022, at least 40% of new recruits will be from minority backgrounds. Like many police forces around the world, London’s police have come under criticism in the wake of the Black Lives Matter protests that began in the United States. London’s action in reforming its police force sets the precedent for other communities to follow. 

The Metropolitan Police Service (MPS) is Britain’s largest police force. Also known as Scotland Yard and colloquially called the Met, MPS employs over 44,000 police officers and receives over 25% of the police budget for England and Wales. Along with most other police forces, the Met has come under criticism in the wake of the Black Lives Matter protests and demands for police brutality reform. London’s record with police brutality is quite different than that of America’s, but it and racial inequality are still common across the United Kingdom. In the U.K., Black people are more than nine times more likely to be stopped and searched by the police than White people. Though people of color make up 13% of the population in England and Wales, 48% of minors in custody belong to the group. 

While London is an incredibly diverse city, in 2017 an overwhelming 87% of MPS officers were White, with just 13.3% of officers identifying as Black and Minority Ethnic. These statistics have come under fire recently, with Black Lives Matter protesters taking to the streets of London demanding reform. Protesters turned out in thousands throughout the summer of 2020, with protest numbers spiking after Prime Minister Boris Johnson declared the U.K. as “not a racist country” and designating protesters’ behavior as “thuggery.” 

Mayor of London Sadiq Khan. Steve Punter. CC BY 2.0. 

Despite Prime Minister Johnson’s wavering views toward protests, the mayor of London, Sadiq Khan, acknowledged the institutional racism that he believes inflicts the country. In a statement from the mayor’s office, Khan said: “To the thousands of Londoners who protested peacefully today: I stand with you and I share your anger and your pain. George Floyd’s brutal killing must be a catalyst for change worldwide. No country, city, police service or institution can absolve itself of the responsibility to do better. We must stand together and root out racism wherever it is found. Black Lives Matter.” Khan’s acknowledgment of racism and discrimination is groundbreaking compared to American political leaders’ relative lack of action regarding this issue. 

On Nov. 13, Sadiq Khan announced that by 2022, at least 40% of new recruits in the MPS will be from minority backgrounds. Metropolitan Police Commissioner Cressida Dick released a rare public statement acknowledging that the Met “is not free of discrimination, racism or bias.” Commissioner Dick also announced that her “job is to continue to try to eliminate any such racism and discrimination, however it appears.” London’s active anti-racist stance will set the precedent for other communities and cities to follow. This commitment to diversity is evidence of tangible and long-lasting change within potentially racist institutions. 



Sarah Leidich

Sarah is currently an English and Film major at Barnard College of Columbia University. Sarah is inspired by global art in every form, and hopes to explore the intersection of activism, art, and storytelling through her writing.





How the BLM Movement Blossomed in the UK

As voices of the Black Lives Matter movement flooded American streets, British proponents alike rushed to rally. The seeds of the movement germinated in the U.K., but problems soon sprung up alongside them. 

Black Lives Matter protest in Bristol, England. KSAG Photography. CC BY-NC-SA 2.0. 

In late May, the death of George Floyd ignited outrage in nations across the world, including in the United Kingdom. In the early summer months, the pages of social media and eager British ralliers mirrored the zeal of the Black Lives Matter movement in the United States. However, over the course of a few short months, the unmatched vigor of the movement in Britain quickly dropped off; neither the media channels nor the once fiery minds of residents continued active coverage and support. 

What had started as weekly protests in Britain’s largest cities had dissolved into a deferred dream for a few young activists. As more racial inequalities surfaced, less and less government engagement was found. 

Regardless of this obstacle, the young remaining supporters continue their fight with the unbattered zeal of seasoned activists. A few such activists are the founders of All Black Lives U.K., which is a movement started this past May by a group of students. The group organized protests for 10 weeks this summer and has since made substantial headway; its outreach, primarily made through social media and hosted panels, has garnered enough engagement to establish posts in other urban areas such as Bristol and Manchester. 

The movement pushes for a list of demands to be met by the government, which includes the removal of the highly scrutinized “gangs matrix.” 

The gangs matrix is a database that has been run by the Metropolitan Police since 2012 following the 2011 London riots. The database contains the names of “gang nominals,” or people whose online activity has been flagged for suspected gang affiliation. The Metropolitan Police advertised the database as a tool to combat violence in London, but many studies found that its standards have resulted in the disproportionate representation of young Black males. Thus, All Black Lives U.K. believes that the abolition of this database will remove a racist stronghold in the government. 

Aside from more obvious racial discrimination, many protesters think that the U.K. suffers from a profound lack of diversity. The movement continues to fight for increased inclusion of Black voices in local councils, as well as diversity in the national school curriculum. Campaigns have been launched to modify what is included in the national curriculum, specifically in order to make learning Black history compulsory. Proponents intend for this modification to fairly represent the Black population while creating a more well-rounded picture of the nation’s history for all students. The education campaigns were met with immediate backlash, with claims by educators that this change is too closely tied to political extremism. 

With several months of tumult having reshaped the face of racial discussions in the U.K., there is little that the British government has changed to address the issue. However, the few brave faces trailblazing the movement keep pressing on, calling others to educate themselves in the meantime. 

To Get Involved

To sign up to volunteer for the Black Lives Matter movement in the UK, click here.

To find out more about the Black Lives Matter movement in the UK, click here.

To become a partner or sponsor for the movement in the UK, click here.



Ella Nguyen

Ella is an undergraduate student at Vassar College pursuing a degree in Hispanic Studies. She wants to assist in the field of immigration law and hopes to utilize Spanish in her future projects. In her free time she enjoys cooking, writing poetry, and learning about cosmetics.

Street Artists Save Protest Masterpieces

Artists adorned New York City with Black Lives Matter tributes. But what becomes of graffiti when the world tries to erase it?

A mural in Minneapolis remembers George Floyd’s life. Lorie Shaull. CC BY-SA 2.0.

SoHo prepared for the worst. In the days before the election, the Manhattan neighborhood’s famed boutiques and shops barricaded their windows with plywood to protect their merchandise from looters. After a summer of uprising, one more round of rioting seemed inevitable. The wooden boards provided yet another reminder of how unlivable 2020 had become. It was as if the neighborhood shut its eyes to a reality too bleak to bear. 

Enter into this dismal cityscape the artists who first put SoHo on the map. Before high-end shops and wealthy shoppers gentrified this stylish slice of Manhattan, street artists like Keith Haring and Jean-Michel Basquiat adorned its concrete buildings with graffiti. In the ‘80s and ‘90s, countless creatives made SoHo an international hub for artists of all stripes. Now, history comes full circle. Street artists see a rare and irresistible opportunity to take the plywood covering SoHo’s shops and create masterpieces. 

Peace, love and police abolition. iamrenny. CCO 1.0.

Among them are Konstance Patton and Trevor Croop. This past summer, Patton focused on her Goddess Project, adorning the streets with vibrant, noble portraits of Black and Indigenous women. Croop spent much of 2020 abroad, leading art workshops and reconnecting with his Lebanese heritage. Within days of his return to the U.S., the two met on the street, throwing up artwork side by side. 

Both seasoned street artists, they knew firsthand how transitory the form can be. An artist might spend hours on a painting that will be erased in a matter of days. The situation in SoHo is much more fraught. When businesses began reopening, they trashed the pieces painted on sheets of plywood. Others scrambled to grab as many panels as they could and loaded them into vans to sell to the highest bidder. 

Can’t we just get along? iamrenny. CCO 1.0.

Recognizing the inestimable value of these pieces of art, Patton and Croop founded the SoHo Renaissance Factory (SRF), which stores wooden boards bearing protest art in an empty SoHo dance studio. It consists of themselves and three fellow artists: Sule, Amir Diop and Brendan McNally. They developed an extensive network of friends, artists and security guards who alert them when a work of art is about to be trashed. They rush to the scene in an attempt to save the piece. Sometimes they arrive in the nick of time; other times they do not.

SRF member Amir Diop experienced the latter firsthand. During the protests demanding justice for the death of George Floyd, Diop painted a mural on the plywood boards covering the Museum of Modern Art’s (MoMA) design store. It showed smiling faces circling around a black hole beneath the words “Take me to a place where Black Lives Matter.” Only days after he painted it, MoMA tore down the piece and shredded it. In the words of Diop, “They said that place doesn’t exist and they just threw it in the garbage.”

Spray their names. drburtoni. CC BY-NC-ND 2.0.

Street artists enjoy few legal protections. The Visual Artists Rights Act (VARA) of 1990 protected art from being mutilated or destroyed but only if it reached a “recognized stature.” In the digital age, this term is ambiguous. Instead of a signature, artists leave their social media handles in a painting’s corner, raising the question of whether online fame qualifies under VARA. For the time being, however, artists cannot depend on the art establishment. If the MoMA won’t recognize art, it is unlikely that a court will. 

A moment to remember. drburtoni. CC BY-NC-ND 2.0.

The future of the SRF is unclear, but it does look promising. The group recently struck a deal with Mana Contemporary, an arts center in New Jersey, to display the wooden boards in a public show next year when COVID-19 restrictions hopefully ease up. For now, the SRF has moved to a spacious studio in the NoMo SoHo Hotel, where it landed a residency. The new space offers a comfortable environment to create art, but the work of the SRF will always be rooted in the streets.

See the work of the SoHo Renaissance Factory on its website:

https://sohorenaissancefactory.com/

Or check out each artist’s work on their Instagram pages:

Konstance Patton - @konartstudio

Trevor Croop - @light.noise

Sule - @sulecantcook

Amir Diop - @amir.diop99

Brendan McNally - @brendantmcnally

You can also support the mission of the SoHo Renaissance Factory by getting involved with organizations that support racial justice, some of them listed below:

Black Lives Matter - https://secure.actblue.com/donate/ms_blm_homepage_2019

Color of Change - https://secure.actblue.com/contribute/page/support-us?refcode=coc_website_popup

SURJ - https://www.showingupforracialjustice.org/donate-to-surj.html

Organizations for Black Struggle - https://www.obs-stl.org/

Project South - https://projectsouth.org/



Michael McCarthy

Michael is an undergraduate student at Haverford College, dodging the pandemic by taking a gap year. He writes in a variety of genres, and his time in high school debate renders political writing an inevitable fascination. Writing at Catalyst and the Bi-Co News, a student-run newspaper, provides an outlet for this passion. In the future, he intends to keep writing in mediums both informative and creative.

10 Places to Honor Black History and Culture

Through artwork, literature, music and history, these institutions amplify Black voices and address race relations in America.  

George Floyd protests in Charlotte, North Carolina. Clay Banks. Unsplash.

Amid global protests against racial injustice, a growing number of people are educating themselves on systemic racism and white privilege.

1. Martin Luther King Jr. National Historical Park - Atlanta, Georgia

Martin Luther King Jr. locating civil rights protests. Thomas Hawk. CC BY-NC 2.0

Located in one of Atlanta’s historic districts, the Martin Luther King Jr. National Historical Park honors the activist who strove for racial equality. The site includes a museum chronicling the American civil rights movement, as well as Dr. King’s childhood home, garden and gravesite. With 185 varieties of roses, the “I Have a Dream” World Peace Rose Garden promotes peace between diverse world communities. Each year, students from the greater Atlanta area write poems that express the ideals of MLK, such as using civil disobedience to reach seemingly impossible goals. These “Inspirational Messages of Peace” are exhibited among the flowers and are read by thousands of visitors each year. Directly across the street is the final resting place of Dr. King and Coretta Scott King, his wife, surrounded by a reflection pool. 

Until his assassination in 1968, King preached at Ebenezer Baptist Church, known as “America’s Freedom Church.” The church has continued to serve the Atlanta community since his death, vowing to “feed the poor, liberate the oppressed, welcome the stranger, clothe the naked and visit those who are sick or imprisoned.” While sitting in the pews, visitors hear prerecorded sermons and speeches from Martin Luther King Jr. Most recently, the funeral of Rayshard Brooks, a Black man fatally shot by police, was held at the church, with hundreds of prominent pastors, elected officials and activists in attendance. 

2. National Museum of African American History and Culture - Washington, D.C.

A student at the NMAAHC uses an interactive learning tool. U.S. Department of Education. CC BY 2.0

The National Museum of African American History and Culture (NMAAHC) is the only museum devoted exclusively to African American life, history and culture. In the words of Lonnie Bunch III, founding director of the NMAAHC, “The African American experience is the lens through which we understand what it is to be an American.” From slavery to the civil rights movement, the museum aims to preserve and document Black experiences in America. With the launch of the Many Lenses initiative, students will gain a greater understanding of African American history by studying museum artifacts and discussing cultural perspectives alongside scholars, curators and community educators. Through the Talking About Race program, the museum provides tools and guidance to empower people of color and inspire conversations about racial injustice. 

3. Black Writers Museum - Philadelphia, Pennsylvania

Langston Hughes, a famous writer featured at the BWM, signs autographs. Washington Area Spark. CC BY-NC 2.0

Built in 1803, the historic Vernon House includes the Black Writers Museum (BWM), the first museum in the country to exhibit classic and contemporary Black literature. The BWM celebrates Black authors, like Langston Hughes and Zora Neale Hurston, who documented the resilience and resistance of African Americans throughout history. Supreme D. Dow, founder and executive director of the Black Writers Museum, noted, “There was a time in American history when Black people were denied the human right to read or write. But, because of the innate drive to satisfy the unquenchable thirst for self determination, our ancestors taught themselves how to read and write in righteous defiance of the law, and in the face of fatal repercussions.” Through books, newspapers, journals and magazines, the museum honors the Black narrators of history. The BWM also strives to inspire future African American authors with community activities like poetry readings, cultural arts festivals and book signings. 

4. Tubman Museum - Macon, Georgia

Artwork depicting Harriet Tubman on the Underground Railroad. UGArdener. CC BY-NC 2.0

Named after Harriet Tubman, the “Black Moses” who led hundreds of slaves to freedom, the Tubman Museum has become a key educational and cultural center for the entire American Southeast. Through artwork and artifacts, the main exhibits recount the struggles and triumphs of Tubman, a former slave, abolitionist and spy. The “From the Minds of African Americans” Gallery displays inventions from Black inventors, scientists and entrepreneurs, such as Madam C.J. Walker and George Washington Carver. The Tubman Museum also actively contributes to the Macon, Georgia, community. The Arts & History Outreach program takes Black history beyond museum walls. Local African American artists and teachers bring museum resources into the classroom, promoting hands-on learning. Due to COVID-19, the museum recently launched a distance learning program to provide people at home with a deeper understanding of the African American experience. 

5. Museum of the African Diaspora - San Francisco, California

Contemporary art by Kehinde Wiley exhibited at the MoAD. Garret Ziegler. CC BY-NC-ND 2.0

The Museum of the African Diaspora (MoAD), a contemporary art museum, celebrates Black culture from the perspective of African diaspora. Focused exclusively on African migration throughout history, the museum presents artwork, photography and artifacts related to the themes of origin, movement, adaptation and transformation. Currently, MoAD is featuring various exhibitions from emerging artists that explore ancestral memory and Black visibility. As active members of the San Francisco community, museum curators offer various programs like public film screenings, artist talks and musical performances. In response to worldwide protests, the museum created a guide with resources to support Black Americans, as well as a video series that promotes community resilience. Monetta White, MoAD’s executive director, announced, “Now more than ever, we affirm that Museums are Not Neutral. As humanitarian educators and forums for conversation, museums are a space to confront some of the most uncomfortable conversations in human history.”

6. National Museum of African American Music - Nashville, Tennessee

Jimi Hendrix, a featured musician at the NMAAM. Clausule. Public Domain.

Scheduled to open its doors for the first time on Sept. 5, the National Museum of African American Music (NMAAM) will be the first museum in the world to showcase African American influence on various genres of music, such as classical, country, jazz and hip-hop. NMAAM will integrate history and interactive technology to share music through the lens of Black Americans. “African American music has long been a reflection of American culture. Additionally, African American musicians often used their art as a ‘safe’ way to express the way they felt about the turbulent times our country faced,” said Kim Johnson, director of programs at the museum. NMAAM will also support the Nashville community through various outreach programs. From Nothing to Something explores the music that early African Americans created using tools like spoons, banjos, cigar box guitars and washtub basins. Children receive their own instruments, learning how simple resources influenced future music genres. Another program, Music Legends and Heroes, promotes leadership, teamwork and creativity in young adults. Students work together to produce a musical showcase in honor of Black musicians. In 2015, student guitarists paid tribute to Jimi Hendrix, the rock icon. “This opportunity gave them a real-life connection to an artist they had only seen in their textbooks or online,” said Hope Hall, librarian at the Nashville School of the Arts.

7. The Legacy Museum: From Enslavement to Mass Incarceration - Montgomery, Alabama

Exterior of the Legacy Museum. Sonia Kapadia. CC BY-SA 4.0

The Legacy Museum is located in a former slave auction warehouse, where thousands of Black people were trafficked during the domestic slave trade. The museum employs unique technology to portray the enslavement of African Americans, the evolution of racial terror lynchings, legalized racial segregation and racial hierarchy in America. Visitors encounter replicas of slave pens and hear first-person accounts of enslaved people, along with looking at photographs and videos from the Jim Crow laws, which segregated Black Americans until 1965. The Legacy Museum also explores contemporary issues of inequality, like mass incarceration and police violence. As part of the Equal Justice Initiative (EJI), the museum is committed to ending mass incarceration and excessive punishment in the United States, with proceeds going toward marginalized communities. “Our hope is that by telling the history of the African American experience in this country, we expose the narratives that have allowed us to tolerate suffering and injustice among people of color,” says Sia Sanneh, member of EJI. 

8. African American Military History Museum - Hattiesburg, Mississippi 

Circa 1942, the Tuskegee Airmen pose in front of their aircraft. Signaleer. Public Domain.

The African American Military History Museum educates the public about African American contributions to the United States’ military. During World War II, the building functioned as a segregated club for African American soldiers. Transformed in 2009, the museum now commemorates the courage and patriotism of Black soldiers, who have served in every American conflict since the Revolutionary War. Artifacts, photographs and medals tell the story of how African Americans overcame racial boundaries to serve their country. For instance, the World War II exhibit features the Tuskegee Airmen, the first African American soldiers to successfully enter the Army Air Corps. 

9. National Voting Rights Museum and Institute - Selma, Alabama 

The 1965 march from Selma to Montgomery for the right to vote. Abernathy Family. Public Domain.

In the historic district of Selma, Alabama, the National Voting Rights Museum and Institute honors the movement to end voter discrimination. With memorabilia and documentation, the museum illustrates the struggle of Black Americans to obtain voting rights. In 1965, nearly 600 civil rights marchers crossed the Edmund Pettus Bridge, hoping to reach Montgomery. However, the day became known as “Bloody Sunday” as local law enforcement attacked peaceful protesters with clubs and tear gas. While the Voting Rights Act of 1965 outlawed voting practices that disenfranchised African Americans, many believe voter suppression still exists through strict photo ID laws for voters, a failure to provide bilingual ballots, and ex-felon disenfranchisement laws. By educating the public, the museum hopes to forever dismantle the barriers of voting in the United States. 

10. National Underground Railroad Freedom Center - Cincinnati, Ohio

On the banks of the Ohio River, a statue depicts a mother and her child escaping slavery. Living-Learning Programs. CC BY-NC-ND 2.0

Near the Ohio River, where thousands of slaves traveled in search of freedom, the National Underground Railroad Freedom Center reveals the ongoing struggle for autonomy. From the historical vantage point of the Underground Railroad, the museum promotes the modern abolition of slavery. Due to widespread human trafficking, nearly 40 million people are currently enslaved around the world. As stated on the museum’s website, “Despite the triumphant prose of our American history books, slavery didn’t fully end 150 years ago. Today and throughout time, people around the world have struggled for their freedom. Yet, as forms of slavery evolve, so do the imaginations of those fighting for freedom.” Through artifacts, photographs and first-person accounts, the museum introduces the men and women who have resisted slavery. “Invisible: Slavery Today” is the world's first permanent exhibition on the subjects of modern-day slavery and human trafficking, challenging and inspiring visitors to promote freedom today. 


Shannon Moran

is a Journalism major at the University of Georgia, minoring in English and Spanish. As a fluent Spanish speaker, she is passionate about languages, cultural immersion, and human rights activism. She has visited seven countries and thirty states and hopes to continue traveling the world in pursuit of compelling stories.