Islamic Architecture in Spain 

While many can forget that Arab and North African Muslims controlled parts of Spain for almost 800 years, longstanding Spanish architecture is a testament to the Muslim reign. Arabesque patterns, Islamic motifs and sandy colors have been preserved in some of Andalusia’s most famous palaces and fortresses. 

Arab and North African Muslims conquered the Iberian Peninsula in the eighth  century. Ruling for almost 800 years in Al-Andalus (currently Andalusia), Muslims inevitably left traces of their presence in the region. Everything from language and religion to architecture and art was adopted by Spain during the Muslim reign. Around 4,000 Spanish words which are still in use today originated from Arabic. The majority of these words are nouns related to food, animals, nature and science. For example, the Spanish word for “olive” is “aceituna” and is derived from the Arabic word “zaytünah.”

While aspects of the Arabic language can be found in Spanish, Islamic architecture is the true evidence of the Arab and North African Muslim reign in Spain. Certain sites in modern-day Andalusia make you feel like you’re in Morocco or Syria. Today, Islamic architecture is most prevalent in Cordoba, Seville and Granada—Spanish cities in Andalusia—with their palaces and holy sites. 

 Cordoba 

Desert colored walls in the Great Mosque of Cordoba. Waqqas Akhtar. CC BY-NC-SA 2.0. 

Cordoba was the capital of Al-Andalus when it was first conquered in 711 A.D. The Great Mosque of Cordoba is a testament to the Arabic and Islamic influence in the city. Elaborate building programs and agricultural projects were sponsored by Prince Abd al-Rahman I from Damascus, Syria. The prince imported plants from Damascus, some of which still stand in the yard of the Mosque of Cordoba today. 

Previously operating as a mosque and church at different points in history, the captivating structure includes a hypostyle prayer hall, a beautiful courtyard with an extravagant fountain, a colorful orange grove, a walkway circling the courtyard and a minaret which is now a bell tower. Islamic calligraphy and verses from religious scriptures fill the sandy, red and white colored columns. Geometric shapes dominate the structure—in everything from design to entryways. One major Islamic motif that is evident in this structure is the horseshoe shaped “mihrab.” The mihrab identifies the wall that faces Mecca—Islam’s holiest city that features the home of God, the Kaa’ba—and indicates which direction to face while praying. The mihrab is decorated in gold and brown detailing. Above the mihrab sits a mesmerizing dome filled with pointed gold arches and radial patterns fill the ceiling. 

The mihrab, Great Mosque of Cordoba. Kevin Poh. CC BY 2.0.

The dome above the mihrab in the Great Mosque of Cordoba. mitopencourseware. CC BY-NC-SA 2.0.

Seville 

The Royal Alcazar in Seville is one of the world’s oldest palaces that is still in use today. This palace has been awarded status as a UNESCO World Heritage Site. The Alcazar was first built in the 11th century when the Arabs moved in and sought to create a secure, residential fortress. Since then, Alcazar has been home to the many monarchs who have taken control of Seville. The initially Islamic structure was renovated by its following rulers; however, the palace’s Islamic roots shine through as many of its Islamic components have been preserved. 

One of the palace’s courtyards, the Patio del Yeso, was created in the 12th century when the region was still under Muslim control. The courtyard features a large pool in the middle—a common theme in Islamic architecture. Water is at the heart of Islamic architecture for both practical and spiritual reasons. Considering that the Arabs and North Africans came from dry climates and desert landscapes, it was important for them to have easy access to reliable sources of water. Furthermore, in Islam, water symbolizes life and purity. Water in gardens, specifically, symbolizes the sacred lake in paradise that is reserved for only the righteous. 

Other recurring Islamic motifs that are found in the Alcazar include keyhole or horseshoe shaped arches, doors and windows; traditional Islamic plasterwork and latticework; Islamic writings; and a heavy presence of plants. The horseshoe arch is known as an “alfiz” and the Islamic-style window screens are known as “mashrabiya.” These, in addition to the icicle-like droppings from ceilings and domes, are common components of modern-day mosques and other traditional Islamic structures. 

The gardens of the Alcazar were used not only for aesthetic purposes, but also for functional purposes. While the plants and trees were grown in the palace’s gardens for beauty, the plants were also used to feed members of the court. The gardens themselves were strategically structured to resemble what Muslims imagined paradise to look like based on the descriptions in the Quran. 

Garden in the Royal Alcazar, Seville. Jocelyn Erskine-Kellie. CC BY-SA 2.0.

Granada

The Alhambra Palace in Granada is further evidence of the Islamic rule in Spain. The name Alhambra itself derives from the Arabic word “Al-Hamra” which means “red.” The palace was given this name for its reddish bricks and walls which can be seen from afar. Alhambra’s layout mimics that of many other palaces for Muslim princes. Three main floor plans dominate the site: the “mexuar” was open to all and the room where sultans received their subjects, the “diwan” is the throne room where receptions were held, and the “harem” is the prince's private quarters. Islamic inscriptions and verses from the Quran flood the walls, while the gold detailing accents the writings. 

 Mosaics and colored tiles in geometric and plant-like shapes, referred to as “alicatado,” are also in certain quarters. The mosaics are not only decorative but also contain strategically chosen tiles to cool the structure in the summertime. Plant motifs align with Islamic principles, as the depiction of human images is often frowned upon. The Fountain of the Lions in Alhambra is one of the most photographed features of  the palace, with 12 lions spewing water in the middle of the courtyard. Other famous aspects of Alhambra which are covered in arabesque patterns and constructed to resemble the gardens in heaven, include the Generalife and El Partal, two of the quieter locations in the palace. 

Keyhole shaped windows with arabesque patterns in Alhambra. Güldem Üstün. CC BY 2.0.

Geometric mosaics in Alhambra. Víctor. CC BY-NC-ND 2.0.

Mia Khatib 

Mia is a rising senior at Boston University majoring in journalism and minoring in international relations. As a Palestinian-American, Mia is passionate about amplifying the voices of marginalized communities and is interested in investigative and data-driven journalism. She hopes to start out as a breaking news reporter and one day earn a position as editor of a major publication..

Amazing Styles of African Architecture

Africa is home to many beautiful styles of architecture, each shaped by the region and time when it developed. 

The Great Mosque of Djenné, Mali. UN Mission in Mali. CC BY-NC-SA 2.0 

While most people are familiar with European styles of architecture, such as  Gothic and Renaissance, African architecture is not as frequently showcased. Other than the Pyramids at Giza, Africa’s architectural marvels are relatively little-known. International media often overlooks the cultural, historical and societal diversity of Africa in favor of news that portrays the continent in a negative light. There are a wide variety of architectural styles across Africa, each influenced by their environment and the time when they developed. Below are just three examples of Africa’s many unique architectural styles: Sudano-Sahelian, Afro-Modernist and Swahili. 

1. Sudano-Sahelian 

Sudano-Sahelian architecture is characterized by the use of adobe, mud bricks and wooden-log support beams that jut out of the walls, as well as grassy materials like thatch and reeds which are used for roofing, reinforcement and insulation. The name Sudano-Sahelian refers to the indigenous peoples of the Sahel region in Africa—which extends from modern-day Senegal on the West Coast to Eritrea on the East Coast—and the Sudanian Savanna, just south of the Sahel. The Sudano-Sahel region is semi-arid, with an environment that transitions from the Saraha in the north to tropical deciduous forests in the south; there are both trees and wide, grassy plateaus. The earth is a major building resource in the region, which led to the development of the area’s distinct adobe architecture around 250 B.C. Today, ancient Sudano-Sahelian architecture remains a major influence on many contemporary African architects, such as  Francis Kéré, who wants to showcase African traditions in his architectural projects. 

The courtyard of The Great Mosque at Djenné. Johannes Zielcke. CC BY-NC-ND 2.0 

One of the most impressive examples of Sudano-Sahelian architecture is The Great Mosque of Djenné in Djenné, Mali. While the mosque was constructed in 1907, there have been a number of mosques on this same site since the 13th century, all built in the traditional Sudano-Sahelian style. 

Ghana’s Independence Square. CC Chapman. CC BY-NC-ND 2.0 

2. Afro-Modernism

Afro-Modernism refers to Africa’s post-colonial experimental architecture boom of the 1960s and 1970s. Thirty-two  African nations declared their independence from European colonial powers between 1957 and 1966. New elected governments ushered in an era of public works projects, including university campuses, banks, hotels and even ceremonial spaces like Ghana’s Independence Square. The architecture of the era largely used concrete, as it was more easily cooled than other materials—a necessity in hot, equatorial climates. Afro-Modernism draws on European styles of architecture; many buildings were designed by European architects. African influence is clearly present as well, though, and African architects like Samuel Opare Larbi were crucial to the movement. Staples of Afro-Modernism include bold shapes and the combination of traditional building materials like adobe with modern materials, such as concrete and steel. 

Some examples of Afro-Modernism include the Kenyatta International Conference Centre in Nairobi, Kenya which has a lily-shaped auditorium; the FIDAK exhibition center in Dakar, Senegal, which is made up of  a number of triangular prisms; and some buildings at the University of Zambia in Lusaka, Zambia, which has various open-air galleries and exposed staircases. 

3. Swahili 

Monumental stone structures dating back to at least the 13th century populate the Swahili Coast, an 1,800-mile stretch along the Indian Ocean in modern-day Tanzania and Kenya. The area is rich with coral limestone, which became a crucial building material for the indigenous Swahili people. 

A close-up of Swahili woodwork. Konstantinos Dafalias. CC BY 2.0

The stone architecture evolved over time to include intricate decorative elements, such as carved door frames and windows with natural and geometric designs. The carvings in Swahili  architecture date back to the 17th century, with the earliest known example being from 1694. During the 18th and 19th centuries, the practice of stone and wood carving grew more widespread. Carvers drew influence from architecture and art overseas, including neo-Gothic, British Raj and Indian Gujarati styles. 

A carved stone door in Lamu, Kenya. Justin Clements. CC BY 2.0 

 Kenya’s Lamu Old Town is the oldest and most well-preserved Swahili settlement on the Swahili Coast. Lamu Old Town is constructed from coral limestone and mangrove timber and has been continuously inhabited for over 700 years. The Stone Town of Zanzibar, on Unguja Island, is another excellent example of Swahili architecture, especially the blending of African, Arabian, Indian and European influences. Both of these towns have been designated as UNESCO World Heritage Sites. 

Sudano-Sahelian, Afro-Modernist and Swahili architecture are only three of Africa’s wide variety of architectural styles. Others include Somali, Afro-Federal, Nigerian and Ethiopian. For more stunning pictures of African architecture, visit this Twitter thread. 

Rachel Lynch

Rachel is a student at Sarah Lawrence College in Bronxville, NY currently taking a semester off. She plans to study Writing and Child Development. Rachel loves to travel and is inspired by the places she’s been and everywhere she wants to go. She hopes to educate people on social justice issues and the history and culture of travel destinations through her writing.

China Weaponizes Tourism to Erase Uyghur Culture

8,000 Uyghur mosques have been destroyed, and cafes and bars have taken their place, as China’s Han majority ethnic group flock to Xinjiang for its natural beauty. Mosques left standing have become museums catering to Han visitors, and religious pilgrims are turned away.

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With Democracy on the Horizon, Uzbekistan Flirts with Freedom

Uzbekistan’s new attention to human rights and democratic ideals, along with the rapid boom in its tourism industry and steps toward religious tolerance, are potential signifiers of progress.

Tashkent, capital of Uzbekistan. Markus Biedermann. CC BY NC-ND 2.0.

Cradled between Kazakhstan and Turkmenistan, Uzbekistan lies at the heart of Central Asia. Uzbekistan’s population is predominantly Sunni Muslim, and adherents are considered the most devout in Central Asia. The capital, Tashkent, is full of signs of its rich Islamic heritage: historic mosques and mausoleums are scattered among Soviet-style towers.

The country’s complex and multifaceted history explains its diverse population. At the height of the Silk Road, cities located in present-day Uzbekistan such as Bukhara and Samarkand were trading hubs between the East and the West. It was through these centers that Arab traders brought Islam and a written alphabet to the region. After centuries of conquests and rivalry between Uzbek city-states, Russia swallowed up these states with the promise of protection in the early 19th century. It was established as the Uzbek Soviet Socialist Republic in 1924, where religion was suppressed and the population inflicted with forced collectivization. 

Ever since Uzbekistan’s independence in 1991, long-serving President Islam Karimov has largely avoided democratization while embracing diplomacy and investment from the global community. Despite his attempts to join the U.S. in its “war on terror,” Karimov was regularly criticized by the United Nations for his long record of human rights violations. His persecution of the large Muslim population in Uzbekistan could not be ignored by U.S. in light of the Andijan massacre, when at least 187 civilians were killed. After Karimov’s death in 2016, Uzbekistan seems to have emerged from three decades of isolation and autocratic rule.

Today, President Shavkat Mirziyoyev’s administration boasts of its progressive policies: Mirziyoyev advocates for freedom of the press, supports religious tolerance and disapproves of unjust imprisonment. Since the start of Mirziyoyev’s presidency in 2016, a few journalists have been spared incarceration, previously blocked media platforms were made accessible, and a number of political prisoners were released. These actions displayed Mirziyoyev’s ostensible devotion to human rights, which was bolstered by his emerging friendship with U.S. Rep. Trent Kelly, his interaction with nongovernmental organizations, and his government’s partnership with the Cotton Campaign, which combats unpaid cotton production in Uzbekistan. As a result, Uzbekistan was elected to the U.N. Human Rights Council for the first time in history this October. In an article found on the United Nations’ website, Uzbekistan is lauded for its “firm commitment to the purposes and principles of the U.N. Charter and the universal declaration of human rights.” Although members of the U.N. carefully watch Mirziyoyev to ensure the establishment of these democratic ideals, Uzbekistan is now regarded as a country working toward greater freedom. 

There are complications involved in Mirziyoyev’s steps toward democratization. Even though Mirziyoyev has been vocal about eliminating Uzbekistan’s forced cotton labor, advocacy group Uzbek Forum found that forced labor persists in the country. Rather than setting up an institutional stronghold on the cotton industry, the government privatized the cotton sector, which only decentralized government-enforced labor by a few degrees. 

Mirziyoyev’s efforts toward modernizing the Uzbek capital of Tashkent have resulted in mass displacement of the city’s original inhabitants. Through the demolition of its buildings and the restructuring of its neighborhoods, the government has carried out a wide-scale gentrification of the city. Tashkent is now considered a travel destination, full of shining skyscrapers and new hotel districts. In order to bolster Uzbekistan’s economy, Mirziyoyev allowed visa-free travel for 30 days for visitors from 65 countries, including the United States.

These markers of progress are met with a mixture of emotions—the U.N. is enthusiastic about Mirziyoyev’s commitment to human rights, while Human Rights Watch remains skeptical of the legitimacy of these policies. The new seemingly democratic leadership of Mirziyoyev creates suspicion among Uzbeks and foreigners alike. Pushed by economic motivations, the president’s attempts to abide by the universal guidelines of human rights stir up hopes among Uzbeks for a freer future. 

Heather Lim

recently earned her B.A. in Literatures in English from University of California, San Diego. She was editor of the Arts and Culture section of The Triton, a student-run newspaper. She plans on working in art criticism, which combines her love of visual art with her passion for journalism.




Beyond the Wall, Berlin’s Multicultural Roots Shine Through

When Germany’s capital is mentioned, people often think of Berlin’s turbulent history, thriving arts scene and hipster culture. However, multiculturalism ought to also come to mind. With 21% of its population hailing from non-German backgrounds representing 190 countries, Berlin is becoming a true melting pot. Often nicknamed “Multikulti,” Berlin portrays itself as a tolerant city aiming to attract talent from abroad while celebrating its diversity within.  

Guest-workers from Hungary in East Germany. Lehmann. 30 Sept. 1988. CC3.0

A History of Migration 

After World War II, the Allied Powers divided Berlin into four regions. The American, British and French regions made up West Berlin and the region occupied by the Soviet Union made up East Berlin. Immigration to Berlin was largely influenced by the dynamics of the divided city’s various zones. After the war, there was a strong need for labor to help rebuild Germany. West Germany recruited “guest-workers” to fill this need from nearby areas such as Turkey and southeastern Europe. The East German government recruited guest-workers from other socialist countries, such as North Vietnam and North Korea. More recently, many immigrants escaping conflicts in the Middle East and North Africa have sought refuge in Berlin.

An Arabic market in Neukolln Gürer CC2.0

Multicultural Districts in Berlin

Although Berlin has a sizable international population, being an immigrant in the city is not without its problems. Areas of Berlin with high immigrant populations tend to be weaker economically and are known for social problems including high unemployment, increased crime rates, drug trafficking and gentrification. Ethnic minorities are usually present only in certain neighborhoods and are underrepresented in German popular culture and politics. Immigrants are also subjected to acts of hatred and violence due to strongholds of White nationalism in areas of East Berlin. Additionally, previous immigration policies in Berlin have focused on tolerating, rather than accepting, immigrants in the city. The term “Auslander” or foreigner negatively refers to immigrants in Germany, speaking to the difficulties they face with integrating into German society.

However, things are slowly changing. Immigrant communities in Berlin are proudly showcasing their cultures for others to see. Travelers who visit Berlin’s multicultural hubs can help change the narrative of immigration in Germany. 

Sehitlik Mosque in Berlin’s Neukolln district. Zairon CC International 4.0

Neukolln

Today, the majority of Berlin’s immigrant population resides in the center of the city in the districts of Neukolln and Kreuzberg. Although previously known for its unemployment and drug problems, Neukolln is reinventing itself as a hip and multicultural center. One of Neukolln’s iconic areas is Sonnenallee, often nicknamed “Arab Street,” which is home to many Middle Eastern restaurants, grocery stores and baklava shops. Walking through Sonnenallee, one is nearly as likely to hear various Arabic dialects and Turkish as German. Neukolln is also home to the Sehitlik Mosque, which is the most visited mosque in Berlin. The mosque participates in the Long Night of Religions, an annual event where houses of worship all over the city open their doors to the public to promote tolerance and interreligious dialogue. 

Turkish market in Kreuzberg. Gürer. CC2.0

Kreuzberg

Berlin’s Kreuzberg district is often nicknamed “Little Istanbul” for good reason; the neighborhood is home to the largest Turkish population outside of Turkey. On Tuesdays and Fridays, Kreuzberg hosts an expansive Turkish Market, selling everything from fresh produce and spices to fabrics and street food. Kreuzberg is an excellent place to try Turkish staples such as doner kebab and gozleme. Markthalle Neun is another acclaimed international market in Berlin. On Thursday evenings, it hosts “Street Food Thursday” with seemingly endless vendors serving diverse culinary options. Berlin’s Jewish Museum, also located in Kreuzberg, is the largest museum in Europe focusing on Jewish history and culture. Known for its nightlife and hip culture, Kreuzburg is rising in popularity. At the same time, this has given rise to gentrification which makes it difficult for migrant families to afford life there. 

One of the many warehouses in the Dong Xuan Center in East Berlin. Gürer. CC2.0

East Berlin’s Vietnamese Population 

Vietnamese make up the largest Southeast Asian population in Berlin, most of whom reside in the eastern part of the city. The Dong Xuan Center in Lichtenberg is home to Berlin’s hub of Vietnamese culture: a warehouse-like market that contains vegetable shops, clothing stores, beauty salons and authentic restaurants. 

The House of World Cultures in Berlin. Mennerich. CC 2.0

House of World Cultures 

Founded in 1989, the House of World Cultures is an arts and cultural center that hosts exhibitions, conferences and themes focused predominantly on non-Western cultures and societies. Located in the Tiergarten area near the Spree River, the center’s primary focus is to provide Berliners with an authentic view of contemporary art and culture from around the world. Past events include a Korean film festival and various world music events. 

Performer at the annual Carnival of Cultures. Reichert. CC 2.0

Carnival of Cultures

The Carnival of Cultures is a four-day celebration of Berlin’s cultural diversity that occurs every spring. Festivities include music, dance, street performances, street food and crafts. On Pentecost Sunday, the last day of the celebration, a procession of floats travels through Kreuzberg.

Immigration has shaped Berlin’s culture and history for decades, providing a fascinating framework for travelers to explore. Despite the contested status of refugees in Germany today, migration into Berlin is nothing new. Visiting these multicultural spaces is a step toward tolerance and appreciation of the beauty and diversity so often brought about by means of immigration.

Megan Gürer

is a Turkish-American student at Wellesley College in Massachusetts studying Biological Sciences. Passionate about environmental issues and learning about other cultures, she dreams of exploring the globe. In her free time, she enjoys cooking, singing, and composing music.