Street Artists Save Protest Masterpieces

Artists adorned New York City with Black Lives Matter tributes. But what becomes of graffiti when the world tries to erase it?

A mural in Minneapolis remembers George Floyd’s life. Lorie Shaull. CC BY-SA 2.0.

SoHo prepared for the worst. In the days before the election, the Manhattan neighborhood’s famed boutiques and shops barricaded their windows with plywood to protect their merchandise from looters. After a summer of uprising, one more round of rioting seemed inevitable. The wooden boards provided yet another reminder of how unlivable 2020 had become. It was as if the neighborhood shut its eyes to a reality too bleak to bear. 

Enter into this dismal cityscape the artists who first put SoHo on the map. Before high-end shops and wealthy shoppers gentrified this stylish slice of Manhattan, street artists like Keith Haring and Jean-Michel Basquiat adorned its concrete buildings with graffiti. In the ‘80s and ‘90s, countless creatives made SoHo an international hub for artists of all stripes. Now, history comes full circle. Street artists see a rare and irresistible opportunity to take the plywood covering SoHo’s shops and create masterpieces. 

Peace, love and police abolition. iamrenny. CCO 1.0.

Among them are Konstance Patton and Trevor Croop. This past summer, Patton focused on her Goddess Project, adorning the streets with vibrant, noble portraits of Black and Indigenous women. Croop spent much of 2020 abroad, leading art workshops and reconnecting with his Lebanese heritage. Within days of his return to the U.S., the two met on the street, throwing up artwork side by side. 

Both seasoned street artists, they knew firsthand how transitory the form can be. An artist might spend hours on a painting that will be erased in a matter of days. The situation in SoHo is much more fraught. When businesses began reopening, they trashed the pieces painted on sheets of plywood. Others scrambled to grab as many panels as they could and loaded them into vans to sell to the highest bidder. 

Can’t we just get along? iamrenny. CCO 1.0.

Recognizing the inestimable value of these pieces of art, Patton and Croop founded the SoHo Renaissance Factory (SRF), which stores wooden boards bearing protest art in an empty SoHo dance studio. It consists of themselves and three fellow artists: Sule, Amir Diop and Brendan McNally. They developed an extensive network of friends, artists and security guards who alert them when a work of art is about to be trashed. They rush to the scene in an attempt to save the piece. Sometimes they arrive in the nick of time; other times they do not.

SRF member Amir Diop experienced the latter firsthand. During the protests demanding justice for the death of George Floyd, Diop painted a mural on the plywood boards covering the Museum of Modern Art’s (MoMA) design store. It showed smiling faces circling around a black hole beneath the words “Take me to a place where Black Lives Matter.” Only days after he painted it, MoMA tore down the piece and shredded it. In the words of Diop, “They said that place doesn’t exist and they just threw it in the garbage.”

Spray their names. drburtoni. CC BY-NC-ND 2.0.

Street artists enjoy few legal protections. The Visual Artists Rights Act (VARA) of 1990 protected art from being mutilated or destroyed but only if it reached a “recognized stature.” In the digital age, this term is ambiguous. Instead of a signature, artists leave their social media handles in a painting’s corner, raising the question of whether online fame qualifies under VARA. For the time being, however, artists cannot depend on the art establishment. If the MoMA won’t recognize art, it is unlikely that a court will. 

A moment to remember. drburtoni. CC BY-NC-ND 2.0.

The future of the SRF is unclear, but it does look promising. The group recently struck a deal with Mana Contemporary, an arts center in New Jersey, to display the wooden boards in a public show next year when COVID-19 restrictions hopefully ease up. For now, the SRF has moved to a spacious studio in the NoMo SoHo Hotel, where it landed a residency. The new space offers a comfortable environment to create art, but the work of the SRF will always be rooted in the streets.

See the work of the SoHo Renaissance Factory on its website:

https://sohorenaissancefactory.com/

Or check out each artist’s work on their Instagram pages:

Konstance Patton - @konartstudio

Trevor Croop - @light.noise

Sule - @sulecantcook

Amir Diop - @amir.diop99

Brendan McNally - @brendantmcnally

You can also support the mission of the SoHo Renaissance Factory by getting involved with organizations that support racial justice, some of them listed below:

Black Lives Matter - https://secure.actblue.com/donate/ms_blm_homepage_2019

Color of Change - https://secure.actblue.com/contribute/page/support-us?refcode=coc_website_popup

SURJ - https://www.showingupforracialjustice.org/donate-to-surj.html

Organizations for Black Struggle - https://www.obs-stl.org/

Project South - https://projectsouth.org/



Michael McCarthy

Michael is an undergraduate student at Haverford College, dodging the pandemic by taking a gap year. He writes in a variety of genres, and his time in high school debate renders political writing an inevitable fascination. Writing at Catalyst and the Bi-Co News, a student-run newspaper, provides an outlet for this passion. In the future, he intends to keep writing in mediums both informative and creative.

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10 Places to Honor Black History and Culture

Through artwork, literature, music and history, these institutions amplify Black voices and address race relations in America.  

George Floyd protests in Charlotte, North Carolina. Clay Banks. Unsplash.

Amid global protests against racial injustice, a growing number of people are educating themselves on systemic racism and white privilege.

1. Martin Luther King Jr. National Historical Park - Atlanta, Georgia

Martin Luther King Jr. locating civil rights protests. Thomas Hawk. CC BY-NC 2.0

Located in one of Atlanta’s historic districts, the Martin Luther King Jr. National Historical Park honors the activist who strove for racial equality. The site includes a museum chronicling the American civil rights movement, as well as Dr. King’s childhood home, garden and gravesite. With 185 varieties of roses, the “I Have a Dream” World Peace Rose Garden promotes peace between diverse world communities. Each year, students from the greater Atlanta area write poems that express the ideals of MLK, such as using civil disobedience to reach seemingly impossible goals. These “Inspirational Messages of Peace” are exhibited among the flowers and are read by thousands of visitors each year. Directly across the street is the final resting place of Dr. King and Coretta Scott King, his wife, surrounded by a reflection pool. 

Until his assassination in 1968, King preached at Ebenezer Baptist Church, known as “America’s Freedom Church.” The church has continued to serve the Atlanta community since his death, vowing to “feed the poor, liberate the oppressed, welcome the stranger, clothe the naked and visit those who are sick or imprisoned.” While sitting in the pews, visitors hear prerecorded sermons and speeches from Martin Luther King Jr. Most recently, the funeral of Rayshard Brooks, a Black man fatally shot by police, was held at the church, with hundreds of prominent pastors, elected officials and activists in attendance. 

2. National Museum of African American History and Culture - Washington, D.C.

A student at the NMAAHC uses an interactive learning tool. U.S. Department of Education. CC BY 2.0

The National Museum of African American History and Culture (NMAAHC) is the only museum devoted exclusively to African American life, history and culture. In the words of Lonnie Bunch III, founding director of the NMAAHC, “The African American experience is the lens through which we understand what it is to be an American.” From slavery to the civil rights movement, the museum aims to preserve and document Black experiences in America. With the launch of the Many Lenses initiative, students will gain a greater understanding of African American history by studying museum artifacts and discussing cultural perspectives alongside scholars, curators and community educators. Through the Talking About Race program, the museum provides tools and guidance to empower people of color and inspire conversations about racial injustice. 

3. Black Writers Museum - Philadelphia, Pennsylvania

Langston Hughes, a famous writer featured at the BWM, signs autographs. Washington Area Spark. CC BY-NC 2.0

Built in 1803, the historic Vernon House includes the Black Writers Museum (BWM), the first museum in the country to exhibit classic and contemporary Black literature. The BWM celebrates Black authors, like Langston Hughes and Zora Neale Hurston, who documented the resilience and resistance of African Americans throughout history. Supreme D. Dow, founder and executive director of the Black Writers Museum, noted, “There was a time in American history when Black people were denied the human right to read or write. But, because of the innate drive to satisfy the unquenchable thirst for self determination, our ancestors taught themselves how to read and write in righteous defiance of the law, and in the face of fatal repercussions.” Through books, newspapers, journals and magazines, the museum honors the Black narrators of history. The BWM also strives to inspire future African American authors with community activities like poetry readings, cultural arts festivals and book signings. 

4. Tubman Museum - Macon, Georgia

Artwork depicting Harriet Tubman on the Underground Railroad. UGArdener. CC BY-NC 2.0

Named after Harriet Tubman, the “Black Moses” who led hundreds of slaves to freedom, the Tubman Museum has become a key educational and cultural center for the entire American Southeast. Through artwork and artifacts, the main exhibits recount the struggles and triumphs of Tubman, a former slave, abolitionist and spy. The “From the Minds of African Americans” Gallery displays inventions from Black inventors, scientists and entrepreneurs, such as Madam C.J. Walker and George Washington Carver. The Tubman Museum also actively contributes to the Macon, Georgia, community. The Arts & History Outreach program takes Black history beyond museum walls. Local African American artists and teachers bring museum resources into the classroom, promoting hands-on learning. Due to COVID-19, the museum recently launched a distance learning program to provide people at home with a deeper understanding of the African American experience. 

5. Museum of the African Diaspora - San Francisco, California

Contemporary art by Kehinde Wiley exhibited at the MoAD. Garret Ziegler. CC BY-NC-ND 2.0

The Museum of the African Diaspora (MoAD), a contemporary art museum, celebrates Black culture from the perspective of African diaspora. Focused exclusively on African migration throughout history, the museum presents artwork, photography and artifacts related to the themes of origin, movement, adaptation and transformation. Currently, MoAD is featuring various exhibitions from emerging artists that explore ancestral memory and Black visibility. As active members of the San Francisco community, museum curators offer various programs like public film screenings, artist talks and musical performances. In response to worldwide protests, the museum created a guide with resources to support Black Americans, as well as a video series that promotes community resilience. Monetta White, MoAD’s executive director, announced, “Now more than ever, we affirm that Museums are Not Neutral. As humanitarian educators and forums for conversation, museums are a space to confront some of the most uncomfortable conversations in human history.”

6. National Museum of African American Music - Nashville, Tennessee

Jimi Hendrix, a featured musician at the NMAAM. Clausule. Public Domain.

Scheduled to open its doors for the first time on Sept. 5, the National Museum of African American Music (NMAAM) will be the first museum in the world to showcase African American influence on various genres of music, such as classical, country, jazz and hip-hop. NMAAM will integrate history and interactive technology to share music through the lens of Black Americans. “African American music has long been a reflection of American culture. Additionally, African American musicians often used their art as a ‘safe’ way to express the way they felt about the turbulent times our country faced,” said Kim Johnson, director of programs at the museum. NMAAM will also support the Nashville community through various outreach programs. From Nothing to Something explores the music that early African Americans created using tools like spoons, banjos, cigar box guitars and washtub basins. Children receive their own instruments, learning how simple resources influenced future music genres. Another program, Music Legends and Heroes, promotes leadership, teamwork and creativity in young adults. Students work together to produce a musical showcase in honor of Black musicians. In 2015, student guitarists paid tribute to Jimi Hendrix, the rock icon. “This opportunity gave them a real-life connection to an artist they had only seen in their textbooks or online,” said Hope Hall, librarian at the Nashville School of the Arts.

7. The Legacy Museum: From Enslavement to Mass Incarceration - Montgomery, Alabama

Exterior of the Legacy Museum. Sonia Kapadia. CC BY-SA 4.0

The Legacy Museum is located in a former slave auction warehouse, where thousands of Black people were trafficked during the domestic slave trade. The museum employs unique technology to portray the enslavement of African Americans, the evolution of racial terror lynchings, legalized racial segregation and racial hierarchy in America. Visitors encounter replicas of slave pens and hear first-person accounts of enslaved people, along with looking at photographs and videos from the Jim Crow laws, which segregated Black Americans until 1965. The Legacy Museum also explores contemporary issues of inequality, like mass incarceration and police violence. As part of the Equal Justice Initiative (EJI), the museum is committed to ending mass incarceration and excessive punishment in the United States, with proceeds going toward marginalized communities. “Our hope is that by telling the history of the African American experience in this country, we expose the narratives that have allowed us to tolerate suffering and injustice among people of color,” says Sia Sanneh, member of EJI. 

8. African American Military History Museum - Hattiesburg, Mississippi 

Circa 1942, the Tuskegee Airmen pose in front of their aircraft. Signaleer. Public Domain.

The African American Military History Museum educates the public about African American contributions to the United States’ military. During World War II, the building functioned as a segregated club for African American soldiers. Transformed in 2009, the museum now commemorates the courage and patriotism of Black soldiers, who have served in every American conflict since the Revolutionary War. Artifacts, photographs and medals tell the story of how African Americans overcame racial boundaries to serve their country. For instance, the World War II exhibit features the Tuskegee Airmen, the first African American soldiers to successfully enter the Army Air Corps. 

9. National Voting Rights Museum and Institute - Selma, Alabama 

The 1965 march from Selma to Montgomery for the right to vote. Abernathy Family. Public Domain.

In the historic district of Selma, Alabama, the National Voting Rights Museum and Institute honors the movement to end voter discrimination. With memorabilia and documentation, the museum illustrates the struggle of Black Americans to obtain voting rights. In 1965, nearly 600 civil rights marchers crossed the Edmund Pettus Bridge, hoping to reach Montgomery. However, the day became known as “Bloody Sunday” as local law enforcement attacked peaceful protesters with clubs and tear gas. While the Voting Rights Act of 1965 outlawed voting practices that disenfranchised African Americans, many believe voter suppression still exists through strict photo ID laws for voters, a failure to provide bilingual ballots, and ex-felon disenfranchisement laws. By educating the public, the museum hopes to forever dismantle the barriers of voting in the United States. 

10. National Underground Railroad Freedom Center - Cincinnati, Ohio

On the banks of the Ohio River, a statue depicts a mother and her child escaping slavery. Living-Learning Programs. CC BY-NC-ND 2.0

Near the Ohio River, where thousands of slaves traveled in search of freedom, the National Underground Railroad Freedom Center reveals the ongoing struggle for autonomy. From the historical vantage point of the Underground Railroad, the museum promotes the modern abolition of slavery. Due to widespread human trafficking, nearly 40 million people are currently enslaved around the world. As stated on the museum’s website, “Despite the triumphant prose of our American history books, slavery didn’t fully end 150 years ago. Today and throughout time, people around the world have struggled for their freedom. Yet, as forms of slavery evolve, so do the imaginations of those fighting for freedom.” Through artifacts, photographs and first-person accounts, the museum introduces the men and women who have resisted slavery. “Invisible: Slavery Today” is the world's first permanent exhibition on the subjects of modern-day slavery and human trafficking, challenging and inspiring visitors to promote freedom today. 


Shannon Moran

is a Journalism major at the University of Georgia, minoring in English and Spanish. As a fluent Spanish speaker, she is passionate about languages, cultural immersion, and human rights activism. She has visited seven countries and thirty states and hopes to continue traveling the world in pursuit of compelling stories.

The Threat to America that’s been Growing Inside America

While the Middle East and the border crisis get all the attention, Charlottesville and El Paso remind us that America’s worst threat is right here at home.

White supremacists gathered for the Unite the Right rally in Charlottesville, Virginia. By Anthony Crider. CC by 2.0.

August 12th 2017, fresh out of my first year at the University of Virginia, I sat in front of my TV horrified, watching white supremacists marching through a place I had recently starting calling home. Headlines on every major paper ran with Trump’s quote regarding “fine people on both sides.”

When classes started in the fall, my peers and I returned to Charlottesville deeply unsettled by what had happened on our grounds. Our community was rocked to its core. However, the rest of the world quickly moved on without us.

 The past two years, this weekend has marked a time for remembrance, but also caution and fear in Charlottesville. The dates, August 11th and 12th, have become something of the towns very on 9/11, and the police presence during these two days isn’t easy to ignore. The events that took place to years ago are on our minds, however, not on the mind of the nation.  

The march on Charlottesville was the last time I saw white supremacy dominate all the major headlines, that is, until this weekend’s mass shooting in El Paso. We, as a nation, let ourselves become distracted and forgetful of a real problem that’s been growing in the heart of our country. We can point to how the nation has so eagerly embraced the narrative of the “dangerous outsider” to explain why.  

 A decade ago, the Department of Homeland Security released a report on the growing threat of right wing extremism, correctly predicting “the potential emergence of terrorist groups or lone wolf extremists capable of carrying out violent attacks.” However, this warning was not given serious merit by the Trump administration. President Trump’s transition team made it clear to the DHS that it wanted to focus on Islamic terrorism and reorient programs meant to counter violent extremism to exclusively target international threats like al-Qaeda and ISIL. These Islamic terrorist groups have stayed in the headlines, despite the fact they no longer pose a serious domestic threat. It should come as no surprise that this June the FBI reported a significant rise in white supremacist domestic terrorism in recent months.

 President Trump’s rhetoric has also turned American’s attention away from the alt-right matter at hand, and turned our attention to what he would call an “infestation.” Searching through theTrump Twitter Archive, I failed to find one mention of domestic terrorism, white nationalists or the growing menace they pose to our country. After all, why shouldn’t Trump protect his loyal voter base? It’s no secret that white nationalists are Trump supporters; alt right leaders have even been spotted at his rallies.

President Trump says immigrants “infest” our country. Via Twitter. June 19, 2018.

The president has protected these terrorists by turning the national discussion elsewhere -the southern border. As a result, liberals have kept themselves busy investigating the disgusting conditions of border control centers and “children in cages,” while conservatives call for further border restrictions. These leaves no one time for anyone to wage war against the real domestic threat --white supremacy. 

Trump denounced “racist hate” Monday after the shooting this weekend. He blamed violent video games, mental health and, ironically, internet bigotry from prompting the Dayton and El Paso attacks. He failed to make mention of any real action that might be taken against white supremacist terrorism, let alone endorse gun law reform. 

 Had the attackers been Black, Hispanic or Middle Eastern, the White House would surely be taking extreme action. However, just like during the aftermath of Charlottesville, nothing serious is being done to combat alt-right violence. 

 Now,in light of the two year anniversary, I can’t help but wonder if our country truly took notice of the event that shook our little community two years ago. I still pass by the street where Heather Heyer was killed by a domestic terrorist who drove his car into a crowd of people two years ago. The street, now named Heather Heyer Way, remains adorned with chalk writing, flowers and crosses dedicated to her memory. How many more memorials must we lay in El Paso, and the rest of the world, before we address the white supremacist threat?  






EMILY DHUE is a third year student at the University of Virginia majoring in media. She is currently studying abroad in Valencia, Spain. She's passionate about writing that makes an impact, and storytelling through digital platforms.






Literacy… for Whom?

The significance of the Gary B. v. Snyder lawsuit dismissal.

Detroit students opened up the conversation on who has the right to education (Source: Steve Neavling).

On June 29, 2018 US District Judge Stephen J. Murphy III dismissed a federal class-action lawsuit, Gary B. v. Snyder. The lawsuit, filed in 2016 by Public Counsel and Sidley Austin LLP on behalf of a class of students, claimed the plaintiffs were deprived of the right to literacy. The decision will be appealed at the US Sixth Circuit Court of Appeals.

Although Judge Murphy agreed a degree of literacy is important for such matters as voting and job searching, he did not say it was fundamental: constitutional.  The central reasoning for the dismissal of the case was the suit failed to show overt racial discrimination by the defendants in charge of the Detroit Public Schools: the state of Michigan. The other reasoning Judge Murphy provided was that the 14th amendment’s due process clause does not require Michigan provide “minimally adequate education.”

Meanwhile the case brings up an important question its initial filing gave rise to: is literacy a constitutional right? One could argue the importance of literacy goes back to Reconstruction. According to Professor Derek Black, Southern states had to rewrite their constitutions with an education guarantee in addition to passing the 14th amendment before they could be readmitted into the US. Black states “the explicit right of citizenship in the 14th  Amendment included an implicit right to education.”

The theme of education and citizenship is a central component to the complaint’s argument for literacy as a fundamental right. It appeared in the 1954 Brown v. Board of Education case too, which emphasized that education was “the very foundation of good citizenship.” The complaint drew on this citizenship theme to argue the importance of establishing elementary literacy tools—about the equivalent of a 3rd grade reading level. These can then develop into adolescent literacy skills, which allow an individual to comprehend and engage with words. Such engagement is what democratic citizens need when they are making decisions on who to vote; even more importantly, literacy is essential to understanding the often complex ballots voting requires. Further, literacy allows one to take part in political conversations.

The schools in question also “serve more than 97% children of color,” according to the complaint. Many of these students also come from low income families. On the 2017 Nation’s Report Card the average score out of 500 for reading was 182 for Detroit 4th graders, compared to the national average of 213 in other large city school districts. If the 1982 Pyler v. Doe case argued children could not be denied free public education that is offered to other children within the same state—in line with the 14th amendment—then why the disparity in scores?

The plaintiffs believe the disparity lies in deeply rooted issues in the Detroit Public Schools. They argue literacy tools that are first taught in elementary school are not only unavailable to them but that their schools are also not adequate environments for fostering education.The complaint mentions unsanitary conditions, extreme classroom temperatures, and overcrowded classrooms as environmental stressors. They also mention inadequate classroom materials as well as outdated and overused textbooks.

Worn history textbook from 1998 (source: Public Counsel).

Not only is the school environment not conducive to learning for these students but their teachers are often not the proper facilitators for learning. The complaint mention such issues as high teacher turnover, frequent teacher absences, lack of short term substitute teachers, inadequate teacher training, and allowance of non-certified individuals.  The complaint also states students at these schools may also have unaddressed issues related to trauma teachers are not trained for.

And the solution to these discrepancies could very well be what the plaintiffs are arguing for: make literacy, education, a fundamental right. In a 2012 Pearson study on global education systems, the US was number 17. All the countries ahead of the US had either a constitutional guarantee of education or a statue acknowledging the role of education. According to Stephen Lurie, this creates a baseline ruling of what education entails: a culture of education around which laws can form.

Such a baseline ensures education is not a question of privilege. Indeed such conditions as the complaint mentions, as lawyer Mark Rosenbaum stated, would be “unthinkable in schools serving predominantly white, affluent student populations.”  What Gary B. v. Sanders is asking for is a safe school environment, trained teachers, and basic instructional materials. It is asking that Detroit students are guaranteed a minimum of education that will at least give them the chance other students in Michigan have at becoming informed citizens and adults.


Teresa Nolwalk

Teresa Nolwalk is a student at the University of Virginia studying anthropology and history. In her free time she loves traveling, volunteering in the Charlottesville community, and listening to other people’s stories. She does not know where her studies will take her, but is certain writing will be a part of whatever the future has in store.